You find the best new game in Squid Game 3, a new use of these frightening robot dolls

This post contains Spoilers For “Houfa Game”.

Do you remember the big robot doll (called Young-Hee) from Red Light, challenging the green light in the “squid game?” Of course you are doing. This robot doll has been synonymous with the cruelty calculated for games since the first season, which represents the sabotage of non -harmful childhood games into something completely fateful. In fact, the young doll is an invitation to wake up to every unintended participant, as the shots that follow her rooted eyes and her sounds from Singsong reveals the true nature of games for the first time. The game’s repetition of the season 2 also opens with red and green light, which leads to the death of many people despite the desperate Gi-Hun attempts (Lee Jung-Jae) to help everyone to cross safely.

You may also remember that Season 2, the final credits of “Squid Game” hinted to a new game that includes Young-HeeBut this time, we also see a giant doll for a boy (called Cheol-Su) wearing a striped shirt and hat. The players were seen 100, 096 and 353 and approached the robot dolls, while the light of stopping from the red to green before cutting everything to black. while The absolute shock of the end of the Downer for season 2 Perhaps you overwhelmed the hints of this short humor, the best game in the third season (and the most dangerous) showing us the big picture. Yes, I am talking about the penultimate jump rope game, as the young and young dolls were seen in the face of each other while playing a fatal mechanical jump rope at the head of a narrow bridge.

Now, this type of jump -related jump is the rhythm’s time is a sufficient challenge in itself, but the “squid game” makes things worse by placing it on a high platform. The goal of the time is the time when it jumps while moving forward on the narrow bridge, which also has a huge gap in the middle of the road. This repeats the strained war that is destroyed from the first season, along with the funny jumping game, where the players had to jump intuitively on the harsh glass to avoid falling until their death. Although the dolls do not use their creeping eyes to wipe the participants this time, the fear of losing the jump or simply pushed/falling from the edge is so brutal that such plays are no longer necessary to increase the risks.

A large part of the participants we were already died has already died as the jump rope challenge is presented. Player 120/Hyun-JU (Park Sung-HON) heterogeneously stabbed In the previous game, the mother-di-ja (Kang Ae-SIM) and Yong-Sik (Yang Dong-EGUun) dies under tragic circumstances. Meanwhile, Jun-Hee/Player 222 (Joe Yuri) gives birth to the safety of her child, but she was left sponsoring a terrible ankle before the penultimate match. With the life of the newborns being at risk (given that game makers are crazy enough to consider the child as a participant), Gi-Hun ascends and takes responsibility for jumping through the child. Since the 222 player is not strong enough to stand properly, Gi-Hun promises to return to it and help her cross it safely. However, it becomes clear early that this sympathy has good faith has no place in such a harsh world.

After Gi-Hun collects enough courage and jumps with the child without an accident, he tries to quickly enter the rest towards the finish line so that he can return and help the 222. This, clearly, is a difficult situation, as some unique participants resort to pushing people to take out the edge or wander in their loss. A painful death has been stabbed by the Min-Su/Player 125 (Lee David), which tests a hallucinogenic journey fed by guilt (thanks to the THANOS ‘Crucifix drugs). Many players die either by chance or because of slag, such as when the participant who makes him through anyone dare to cross. The tremendous anxiety of the massive jump rope swings fascinated between dolls, and people who fall without strength and power until their death while the time continues to put a mark, and it is an unsuccessful mixture of chaos and terror.

While the “Squid Game” emphasizes the topics of greed and opportunism that have not been verified since its first season, the jumping rope game takes these motives to the extreme. There are times when these behaviors are competing as a caricature, but perhaps this is how common selfishness, because people are constantly ready to harm others to move forward. Innocent people such as Jun-Hee and Geum-Ja are caught in the fire of these situations, while the system that transports “justice” (game makers) pretends to be fair, but not. Gi-HUN is the only hope ray in such a position: his sympathy for others who appeared as the most radical thing in the history of games.

“Houfa game” is currently flowing on Netflix.