Why should you save watching the best movie for Farid Hitchcock for another

Every 10 years since 1952, Sight & Sound Magazine conducted a survey of prominent critics and directors to dismantle the best films of all time. From 1952 to 2002, “Citizen Kane”, who could not be connected to Orson Wales, was surveyed first. 2012, however, finally witnessed annoyance, as “Citizen Kane” fell to No. 2 and “Vertigo” from Alfred Hitchcock. After 50 years, there was “the best movie ever”. This was a surprise, because “Vertigo” was not always considered classic at the level of opinion and sound polls. In fact, Hitchcock Psychosexualer did not break from the upper levels of the survey until 1992, when he first ranked 4th.

I am old enough to remember the collective ears emitted in 2012. Which – which one? “Vertigo” is a notorious deviant film, mixed with a clear tone similar to a dream. It contains strange topics of romantic and sexual obsession, as well as even the most exotic foundations of sexual domination from which a whiff of BDSM is emitted. “Vertigo” is also the Opera Soap movie, where the hero of the gold girl was revealed to be aggressive, uncomfortable, in the end. David Lynch “Blue Velvet” lovers You will get a “Vertigo” kick.

At the same time, “Vertigo” is very strange, as the excitement elements are approximately mid -road through the movie, just to be replaced by a new type of mania drama. It is tilted. difficult. outside. Ask any student in the movie or Hitchcock, and they will likely tell you that they prefer more films that satisfy the crowds such as “Psycho”, “Window Window”, “North-North by Northwest”, “The Birds” and “Rope” or “Strangers on A Train” ” Vertigo.

However, “Vertigo” is often told as the best Hitchcock movie. Why this?

The reason is that “Vertigo” is located at the end of the individual’s cinematic journey. It is very complex and adventurous in Hitchcock’s personal interests to the point that it only appears as a classic as soon as you see many other films, including Hitchcock.

If you have a curriculum of great movies, make sure that “VertiGo” is at the bottom. As a major excitement, “Vertigo” barely working. The above speed is definitely a problem, as Hitchcock often pushes his movie to a ghost head space. Many corridors in “Vertigo” are similar to the most reliable low -budget horror movies such as “Carnival of Souls” of exciting psychological excitement such as “Psycho” or “back window”. It is likely to enjoy many Watch something more exciting like “birds” Or “North by the Northwest”, then jump directly to “Vertigo”, just to discover a strange and strange experience.

To cover the story, “Vertigo” revolves around Scottie (James Stewart), a former police investigator who is appointed by an old friend named Gavin (Tom Hemore) to follow his wife, Madeleine (Kim Novak). Madeleine, as you see, became obsessed with a dead woman named Carota Valdes and behaves as if she had the ghost of Carloota. Madeleine regularly looks at an old picture of Carloota and even wearing her hair in the same way. As Scoti approaches, he finds himself romantically attracted to Madeleine, despite her sad longing towards death. In the middle of the movie, though, Madeleine dies by jumping from the tall bell tower. Scotti is unable to stop her because of his phobia, a condition he gained while working as a policeman.

The posterior half of “Vertigo” turns gears. One day, by an event, Scotti meets depression with a red -haired woman called Judy (also Novak). It begins to chase it, believing that it may be a Madeleine’s reincarnation that he can manipulate. Judy ultimately agrees to his history, but Scottie becomes more controlled and angry, which changes her looks to make her more similar to the two miles. There are more transformations yet.

As we mentioned, it is a strange movie. “Vertigo” has no really “elevator stadium”, and it revolves around sad and confused people. The compulsion of a healthy Stuart is usually the equivalent of the 1950s of the last century, at least, at the very least.

Perhaps before all, “Vertigo” requires a lot of demonstration. It is, in the classic sense of the word, the tanner. A movie professor will walk happily during the craft of the movie and indicate the reason for Hitchcock with the bold, unique and wonderful. The use of the Hitchcock color in “Vertigo” is noticeable, as REDS appears as open wounds of passion and vegetables that stand in lust. Hitchcock Novak is wearing a gray suit, something that blond women usually did not do at that time. It was supposed to look amazing but also “outside”, as if it were the product of Scotti’s imagination. Later in the movie, when Scotti Judy is forced unintended to wear clothes like Madeleine dead, she takes a shower with green light.

One may also want to pay attention to the frame. Everything noticeable is placed in “Vertigo” at the dead center of the frame. Cinematic “The Base of two -thirds” It is often ignored. The effect is strange. The masses are used for images outside the center. “Vertigo” forces us to look at the middle, as if he was staring at a whirlpool. This type of things can only be recognized as wonderful after one has developed a basic knowledge of cinema.

Also, “Vertigo” plays directly to Hitchcock, where he was putting it over decades. Its strands tend to be ice and medium blonde wearing tight -barking -like clothes. Hitchcock certainly had a kind, and he needed it to wear it in a certain way for his films that are bounded by others. “Vertigo” was not just indulging in his imaginations, but rather interrogating himself. How does the exit different from the angry Scoti, insist that a young woman turns into a final idol object? One can only see this really about “Vertigo” after one has to know the work with Oeuvre from Hitchcock or perhaps even Hitchcock outside the screen.

Once you watch enough Hitchcock movies, “VertiGo” begins to coexist as a work of brilliance. But it is very important to finally see it.