Western, which was voted on better in the twenty -first century

Western films are almost ancient like the cinema itself, as it develops from the wild western shows in the late nineteenth century and moves to cellopy at a time when the adventures of America’s borders were fading in the legend. It is fair to say that this type had some rock spots over 125 years or so (especially in the 1980s after the “Gate of Heaven” disaster), but these films never disappear- the Westerners are deeply inherent in our cultural psyche. Film makers in the twenty -first century always find new ways to maintain this type of connection, whether it uses the Western spaghetic coordination to treat racism and slavery (“Django Unchained”) or reset new boundaries to treat ills in the modern world (“Sicario”, “Hell or High Water”). Meanwhile, the Coen brothers used classic white hats against black hats as an elegant metaphor to explore violence that affects society and the randomness of fate in “no country for elderly men”.

Registration in the sixth number on New York Times List of “The Best Films of the Twenty -first Century” and regularly naming as one of Best Westerners During the past 25 years, “no country for elderly men” has been an amazing return to the formation of Joel and Ethan Quinn in the middle of the first decade of the twentieth century. After two of the worst comedic films in their career (“Invisible Cruelty” and “The Ladykillers”) they turned into Cormac McCarthy 2005 novel As a source of inspiration for one of their best films. The siblings have adapted others before, such as “The Glass Key” from Dashiell Hammett to “Miller’s Crossing”, but they previously developed their unique rotation. On this occasion, his brothers kept somewhat loyal to the book and produced what was widely considered their most mature films so far.

When getting rid of their brand dialogue and selective soundtracks, the film was a return to wide open spaces and deadly silence for the first time, “Blood Simple”. The usual pessimism, which was previously compensated by strange humor, explodes from strange violence, and Twists Twists, to something more sad and deep. Everyone only eats it. “No Country for the Elderly Men” achieved an important and commercial success and won four of the eight Academy Awards received by nominations for it, including a prestigious trilogy for the brotherhood (the best image, director and scenario of air conditioner). Let’s take a closer look.

It is located in Texas in the early eighties of the last century, “There is no country for elderly men” opens with Sharif Tom Tom Bell (Tommy Lee Jones), which is deplorable from the old days when the law men do not need himself to carry a pistol. Upon approaching retirement and struggle to understand the violent modern world, his last case will be strengthened by his pessimism: While he is giving up, one of his deputies was brutally by Anton Chigura (Javier Bardem), a mysterious killer who is his weapon by nail and brown.

Elsewhere, Llewelyn Moss (Josh Broolin) comes out in the desert hunting when he stumbles on a terrible scene. The drug deal turned into a bloodbath that left one of the survivors with fatal injuries, a full pile of drugs, and a bag containing two million dollars. Moss takes money and goes home for his wife, Carla Jean (Kelly McDonald), but he returns later on that night, and feels guilty about ignoring the dead man’s call to water. After it is too late, Moss’s abundance is just slightly with his life when other gang members arrive to recover money.

When Carla Jean sends to stay with her mother for safety, Moss is heading towards Mexico with looting. Chigurh is employed to recover money, with the help of a hidden tracking device inside a package. Carson Wales (Woody Harreson), a bonus fisherman, offers mousse protection for money, but he fulfills a similar fate when he faces the killer. Bell is also in the case of a cartel shooting, after his delay and prey in the south. But can he interfere in time to save Moss and his wife?

“No country for elderly men” is one of the most sure films that Coen Brothers and Jamch, and it is a new West of this elegant power that recently led to the silence of critics who once refused as young men who were all of the style, not the essence. It was also a reliable book to hold the first two decades of their career, as they stripped most of the usual stylistic dodges and allowed the story to the novel. By working with the main cinematic photographer, Roger Deakins, the frame is often filled with empty landscapes, indicating that the presence of humanity is only transient. The Queen’s case was supported by an excellent performance in a uniform, especially from Brolin, Jones, and Oscar -winning Bardeem, who portrayed a quiet sense of anxiety.

On the surface, “there is no country for elderly men” is the last of the Queen Brothers “to obtain a bag of money, a familiar cup that allows them to explore humanity in everything, greed, absurd, and its huge in the whims of fate. For the universe, there is no way to know the arbitrary result even after making your call.

Anton Chigur is a human being. We see him bleeding, indicating that he is human. However, it transmits through the movie like a self -determined self -fate, and sometimes he goes to spare someone’s life if he is able to communicate properly with or tail the heads. It seems almost others because he continues without the arbitration of mousse and kills anyone else who interferes his path, but he is greatly, so that he is subject to the same forces of fate. On the one hand, after one of the victims refused to participate in a currency, the result is postponed because he is participating in the wreckage of a life -threatening car.

“No country for the elderly” is one of The best films of the Quinn brothers Also, it is cold so far, it picks up the tense and uncertain mood in the years after the September 11 attacks. We are all able to die, our lives are shortened or only for a long time due to the options we make. In exchange for this topic, we get the Western White Classic hat (Ed Tom Bell) and a black hat (titura), but the possibilities are stacked in favor of Evil as the latter extends while the bell is always moved behind the event. On the contrary, the concept of good is almost a transient concept as Bill fears his lack of connection in a world that he can no longer understand. Moss was arrested in the middle, a man who just tries to remain one step on the fate he decided for himself when he moved away from money.