Weeknd and Jenna Ortega in a boring movie

The new “Hurry Up Tomorrow” is part of the vast multimedia project made by Trip-Hop Chanteuse Abel “Tesfaye” since January 2025, when he released an understandable album of the same name. The film appears to be in a narrative that was settled from the album by Schulpers Schultals, Tesfai and Reza Fahim, although it is clearly aimed at being a dream of a dream of species, telling her story through huge emotional rhythms. On the surface, there is definitely a lot of emotional flows. There are tears, screams and nightmares. Stylistic, there appears to be an attempt to take a peek on the beak inner darkness per week.

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But all electronic on the soundtrack cannot cover the fact that “the calf tomorrow” is boring, modest, nonsense. It is bad, guys. Really, really bad. The film does not pick up the complex Weeknd spirit, as it gives loudspeakers to a cheerful occurrence. Tesfaye is trying to create his character on the screen as an artist with troubled, lost in a state of distress (perhaps he is self -self), but he did not actually describe the conditions of separation, or why his ex -wife was angry at him. Riley Qio, who was only seen in the photos and heard on the phone, plays a former friend, and she is only attributed to her as “a girl on the voice mail”. SHULTS and Tesfaye did not make a complex drama on relationships, but it is an abstract study of the self -pity for teenagers. A friend is an abstract character that only exists to allow the main character to wander in lamentation. The same can be said about Anima (Gina Ortega), a young woman who holds her in a concert, which may provide his emotional salvation.

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And yes, the character “Anima”, which will make all Jung Roll students. This is one of the most exact symbolic parts of this self -immersed chaos.

SHULTS has already made some interesting films such as the slow horror movie “IT at night” and the dreamer “Waves”. Here, it looks under the gun, trying to put a kind of depth on a desperate artist to look more torture and complicated than it is. SHULTS includes a lot of abstract abstract close, showing ratios, and even artificially inserting film scratches to capture this old feeling 35 mm. In a prominent nightmare sequence, Shults settle for the inner David Lynch, depicts the mother’s personality in a field, and heating a close child. Have you mentioned that the symbolism is not hidden?

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However, none of this can erase how emotional mysterious emotional ambiguity. The film begins with the girl mentioned above in the voice mail to tell Tesfaye (plays himself) that “the good person did not do it for a person he loves.” What did he do? It was never explained. If Tesfaye plays his Tedros vicious personality The “deirmous” embarrassment, “ After that, such a message was logical, but here, we left wondering what he did that would require such a reaction. We don’t know if it is wrong. All the masses have become smart on her that he is suffering.

My Hudi, is it a compassion party. The separation came in the middle of the week’s world, and it may be a hysterical mute, such as the Liv Ullmann character in “Persona”. Music loses his voice. Watch my comments above on the symbolism of the movie, for accuracy. The doctor strongly warns him that it is all psychological, and that he is at risk of destroying his throat permanently if he cannot work through his pain. The only character with any child of the toe is actually the manager of Tesfaye Lee (Wonderful rioter Barry Kyjan), Enthusiastic coke, which uses serious compliments and a few snow from the snow to get its fees on the stage.

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Just as weeknd’s voice is broken on stage, holding attention with the desperate young Anima. They seem to fall immediately in love, and take a quick smuggled trip to Kony Island (which is played by the Santa Monica berth). This is likely to be a dangerous matter for our hero, as Anima was served with tears in a remote country house in gasoline and fire lighting. Later in the movie, Anima will get a hysterical call from her mother (too, from the stranger, which Riley Qiu) wondered why she did so. Anima has no answer.

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Right speed, by the way. By the time Tesfaye and Anima have the history of the small rotary ship, we are almost an hour away from the movie. Nothing happens, but at least we have to wait. The evening looks nice, but it is only a matter of time before this girl settled the Russian nightmare.

Anima is then pushing “Hurry Up Tomorrow” to the “misery” area, which indicates what happens when he meets Superfan who was slightly eliminated her hero in a weak position. In both “Hurry Up Tomorow” and “Misery”, celebrities will end up with the bed while admirers tortured and questioned them. However, “Hurry Up Tomorrow” is not amazing, as Superfan’s torture involves analyzing an article for real life art in Weeknd. Many will also think Huey Lewis sequence in “American Psycho”, The killer mainly reads his review loudly. Tesfaye mainly conducts a press interview in the world. The scenes of torture were not intended to be funny, but many people in the theater – including me – were laughing.

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Ortega tries to present some darkness to this role, but her wild eyes and her irrational behavior appeared to her as a semi -national Tim Burton character. The greatest relief of the movie (and the largest laugh) comes when Tesfaye finally shakes its way of walking in the sparkling movie to tell her to close F ***.

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But a remaining question: How does Tesfaye feel about his work? Does it declare that it is nice to wander in burning the collaborators who connect the victims to tears? Does he feel emotionally irresponsible through the floating songs about suffering in pop awareness? Does he inspire bad behavior by pushing himself strongly in front of millions? And if he feels a monster, what did he do? What are his actual bad customs (behind coke shoes)? None of these questions have been answered, or even asking them effectively. “Hurry Up Tomorrow” is a group of false emotional porridge that is immersed in a fake version of her hero. “Pink Floyd: The Wall”, this is not.

The Weeknd, as it is photographed in “A calf tomorrow”, empty. The film contains the stylistic vocabulary of self -disorder, but there is no instant paragraph. One will not get the impression that the film is an actual confession or a real flow of guilt. It does not go further from a scene (very good) as Tesfaye loses his calm while leaving a phone message to his ex -wife. The famous movie is difficult and difficult to do.

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We are expected to find an entertainment of sadness in Weeknd. not so. Not “rushing tomorrow”. It is terrible.

/Film classification: 2 out of 10

“Tomorrow” opens in theaters on May 16, 2025.