Voyageer width is a terrifying evil played by a comedy legend

in Season 3 episode “Star Trek: Voyager” “Solid ice” (April 29, 1996), USS Voyageer comes on a miniature colony on a remote planet where five people are kept in a cooled stagnation after an unknown disaster. It includes within the individual frozen coffins, and their brains in simulating the apparent reality are similar to the matrix. Two of the five people have died recently due to heart attacks, and the Voyageer crew is preferred regarding what a simulator appears to be.

Harry Kim (Garrett Wang) and Pylana Torres (Roxann Dawson) Jack in simulation, and they find a nightmare world that looks like Cirque du Soliel. The miniature world is run by sadistic acrobatic games and convincing monsters that torment the three colonists who still live. The colonists suffer from depression, defeat, and beating in contentment with circus creatures. The leader of the Sadine is the clown, and it is a gray and white ghoul that this electrical dimension is governed by fear and pain. The comedic legend Michael McCain playsPerhaps he is famous for “Clue”, “This is Spinal Tap” in the 1980s, “Call Better Call Saul” and “The Diplomat” today. He has hundreds of other credits, and he is currently starring in the Broadway of “Glengarry Glen Ross”.

Not only is the torture of the colonists, but rather gained the mastery of the cold pipes in the real world, which prevents escaping. He is the real master of this field, and no one will allow to leave.

What is the clown? Why is he in the VR world? The colonists will explain that the VR computer has reached their brains and settled a world based on their ideas and subconscious memories. The clown is a manifestation of their fears, and it is a living object that only exists for their fear. The Mckean performance is really terrifying, above it even Beniwi in terms of miller clowns, and “ice melting” may be the best episode of “Star Trek: Voyageer”.

naturally, Captain Janouway (Kate Molgro, with whom we spoke to him in 2022) You should find a way to infiltrate the nightmare of the nightmare of the virus, their arrival to its crew members, as well as the colonists without the clown getting angry and killing them. This forces her to negotiate with the clown, which means that Janeway, mainly, has a deal with the fear itself. As such, the episode has the star raises some interesting philosophical questions, all in the classic “Star Trek” template. Which is: What does fear of us want? Why do we feel fear? And while people ask themselves every day, how can we, as a type, actually defeat it?

The clown is a great embodiment of fear. It is in the forefront of the desire to torture you, and does not leave any ambiguity regarding its motives. He also lives within your mind, and he is able to take advantage of your deepest nightmares, and exploit the things you fear more. In the case of Harry Kim, he is increasing. Of course, the clown turns it into an old man. Because this is a VR world controls the clown, it can do anything he wants to a large extent. He is a cruel master. A crazy god of hell on chaos. And when we are the most fearful, this is what fear can feel. Fear is intertwined causing indescribable damage from the inside. Michael McCain, who is usually welcomed by his comedic roles, goes in the opposite direction here and represents that completely.

Is “ice melting” cheap? definitely. The nightmare world occurs in the clown in a small audio area in bright colors and walls of plywood. It looks like a collection of the original “Star Trek” series, which means it is courtesy. There is something charming about the licenses of “melting melting”, which makes it look like a “classic journey”. It is also reasonable to assume that the clown required His world to look like a cheap science fiction collection. There is something more terrifying about the screaming of his world. There is no even breathing room.

Janeway should be a multiple smart to defeat the clown. Not only does it have to use smart engineering to transform people’s awareness of the VR hard disk, but also facing the clown personally to steal it from its powers.

Being a strong and powerful person, Janeway came to fear of fear that she had not thought before. Fear, serves an evolutionary function. We feel it, but it works to make us stronger and more alert. When fear is defeated once, we taught ourselves to defeat it again in the future. Ultimately, we can face our fears more and more so that they do not judge us. Fear, the reasons for Janeway, are only defeat. If this is the case, the clown must Want To be defeated somewhere in his soul. He lives for death.

Janeway managed from Hoodwink the clown with a three -dimensional image. It allows the hostages to go, believing that he will be able to keep the Genoa in his VR world, and does not know that it is artificial. When the clown learns that he is trapped in the virtual reality world with a false person, he knows his fate. When Janeway comes out, it will be deleted forever. Janeway tells the clown that she defeated him … fulfilling his final desire.

“Melting melting” is not just an interesting story, but it provides viewers with a new philosophy that may actually help them in the real world. Miller people can now see their fear is a liar, an invader, an external force that lives to be afraid and uncomfortable. “The melting of melting” argues that fear can defeat, Want To defeat. It is not permanent. In fact, in the end, it will only fade in the black where it came from. Now the fear itself is afraid.