Thunderbolts Post-Credits has broke down a big record in Marvel

This article contains Spoilers For the post -credit scene “Thunderbolts*”.

At the end of the new cinematic universe from Jake Sherir, the depression title team is withdrawn – after it was saved today – to an improvised press conference. Without being able to give any inputs in this regard, Yeena (Florence Bug), winter soldier (Sebastian Stan), Red Harbour Guard), US agent (White Russell), and Ghost (Hannah John Kamin).

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This leads to a post -credit sceneAfter 14 months, the new Avengers was already installed at their headquarters in New York. Although they were all mercenaries and murderers in the past, they are clearly trying that it is very difficult to fit with their new roles as a stronger etc. They still do not have everything they go beyond, and they did not cost to decorate; Their headquarters appear slightly empty. The most frustrated, they are in the battle of legal copyright about the name “Avengers”. Captain America, as they say, possesses rights. Who was thinking that the legal resistance would be a major concern for the independent Marvel army?

Yeena is looking for a high -tech tablet device when the bell explodes. Their survey equipment discovered something shaken in the upper atmosphere. Yeena pays some buttons, and Bassbost camera feeds appear on the wall -sized TV. They mention that something seems to have traveled to their planet from another dimension (!). They look at the space ship, and you can guess the mixture on the side.

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Since the reader may scatter the description, this is a fairly long scene. In fact, it is now holding a record as the longest after the credit sequences of any MCU movie, running 174 seconds. This has overcome the record “Guardians of the Galaxy Vol. 2”, which had five scenes after the 171 seconds.

Within two minutes in 54 seconds, the post -credit scene won the record “Guardians of the Galaxy Vol.” And that had five scenes after the two -minute and 51 -second credit credits.

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As many MCU fans know in the world, Marvel Post-Credit’s scenes tend To serve as inspections and/or ads for the upcoming installations In the series. They present new characters, mention the masses that the invisible villain is still working in the background, or they tell viewers that a type of disaster that changes the universe on hand. Post -credit scenes are usually received with great enthusiasm, and MCU fans will immediately storm them in their theatrical rules to discuss the potential meeting between the classic MCU character and the new self that they have just seen. Marvel Comics Know-volls will start at a fun time in detailing the history of the new character, and you will write some ports (hello!) Articles on how to sequence after credits.

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The post -credit scene in “Thunderbolts*” already serves this function, because a reminder that MCU has a third movie that comes out in 2025. People are excited to “The Fantastic Four: First Steps” will not be more enthusiastic.

But the “Thunderbolts*” sequence serializes a more interesting function as well. Watch the fans of the movie just (One of the best in MCU, franklyIt was about depression and shock. Thunderbolts both Thunderbolts lived a terrible life leading to their heroic functions, or fell into need after their peak ended. The Thunderbolts/New Avengers are not happy people, and a kind of hatred because they are good in killing. In fact, the directors seemed to announce that the shock is a prerequisite to become a super hero. One needs emotionally damaged if they choose to take a job that requires continuous violence and permanent death.

The post -Credits sequence shows that Thunderbolts/New Avengers are not the strange deities of joke or the first party with slow hair like the last batch. None of the old avengers was surprised by the miracle techniques around them, because they are just their daily things. As such, they usually encounter that they cool school for school, and they only admit that something is strange with a joke similar to “well”. Marvel Banter’s fast brand that made the popular chain once a long time ago to an irreplaceable area. He says that there are no secret identities in the Marvel Film world. Instead, the heroes display their faces in public places, collect fame, accumulate fans and Al -Fawq, and signature signatures. Avengers are known to everyone, and most of them seem to enjoy their fame. When the “less” averages are not recognized, they are assembled. The championship, for them, does not revolve around the commission of justice from the shadows. It comes to getting their hard work. In a generation raised with the possibility of fame online lurking at every corner, unknown championships are a curse.

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Thunderbolts are completely different people. They do not want to be avenged, do not want to be famous, and they don’t really know how to do this well. The post -credit scene shows a different kind of current situation outside the service of the heroes. They are more angry (or at least more exhausted), and they see their job as a boredom commitment. They are not enthusiastic about using tools and playing, and they do not necessarily want to jump to work. The Thunderbolts/New Avengers is placed, fabricated, translated into legal battles. One of them reads all day.

The post -dependence scene needed a little additional time to create all of this. It was not just an advertisement for a coming movie. He needed to enhance the personality of the new avengers, and break the Marvel record in this process.

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Two of my colleagues have a conversation about “Thunderbolts*” in today’s episode of The /Film Daily Podcast, which you can listen to below: