This new movie gives us the excitement in Man James Bond movie, a movie that we always want

We have seen a lot of character on the character of James Bond over the years, but they were often different differences in his early days. One thing that we did not really see is the Old Man Superspy star, the OCTOGENARIAN SUPERSPY championship that looked back in a decades -long profession, and may be pulled again on a last mission. if Amazon Pierce Brosnan will not allowAt least, we have the French duo Hélène Cattet and Bruno Forzani (“Let the bodies Tan”) present the old Bond Bond movie that we always wanted, and washed it with the effects of Giallo and anime enough effects on their latest films, “which is reflected in dead diamonds,” which is a must to watch the appearance fans.

This excitement follows the Belgian espionage John Diwan (Fabio Testo), a former spy who spends his retirement at a luxury hotel in the French rivira, drinks on the beach and watches his new beautiful young neighbor. He suffers from early dementia, the sudden disappearance of the neighbor sends John below the memory lane with pictures of his days as a spy in the 1960s (then Yannik Rainer plays) overwhelming his mind. In particular, there is one task related to the oil billionaire, nuclear energy, and a simplified catalog called Serpentik, and it has more identities than the impossible mission agent (played by several actors).

But this is more than just a spy story that is listed in two schedules of time tables, because Cateet and Forzani are inspired not only by Bond Ian Fleming and “Diabolik”, but also Satoshi Kon anime legend. Specifically, “reflection in dead diamonds” is inspired by the masterpiece of the fact that the “Millennium Actress” (Clock) And the “stereoscopic writing” of Kon, which is characterized by a fragmented narrative structure that is supposed to be experienced several times so that you can capture the different layers of the story. Through this approach, the text program plays with the idea of ​​whether John is already working as a spy – or only playing.

Like “Millennium Actress”, “Reflection in Dead Diamonds” plays with the subjectivity of memory, mixing reality and imagination. Did John really engage in a mission with More mask reveals from “Mission: Impossible 2?” Or was this a collection of films? It is difficult to know this on the basis of every scene, and even when the film falls some great examination, it is not fully concerned with providing a clear answer.

This ambiguity, along with the sad tone of the legend of aging that looks back in their career, reminds us of the “Millennium actress” in the universe and how reality and imagination blended while it was just a beautiful honor for the history of cinema. Here, we get scenes indicating a real spy story and also filming a feature film that increases the reliability of John Krawi, but also as simple gestures of the history of spying. (Literally there is a scene with film executives.)

“Reflection in Dead Diamonds” works wonderfully at the surface level as a spying film, which is one with a wonderful aesthetic full of wonderful small tools and innovative technology. The use of matching shots and divided Diopters gives the film a look “in the 1970s, while colorful use brings to mind” Giallo movies in the 1970s. Certainly, the fabricated narration may be too much for public masses and a great budget privilege like Bond, but the simple idea of ​​returning back on a pivotal mission and thinking about the nature of his career is very fun and very good. Why should Pierce Prosnan not return as Bond, one last time, and drink drinks from the French Riviera while losing his mind slowly in one time he faced Femme’s Fatah with multiple faces?