This horror comedy is very familiar to the start of its interest

If “OPUS” is issued a decade ago, it may be easier to praise its original and depth when it comes to building a discussion about celebrity worship (and its relationship to the behavior of worship), and to transform a head. Unfortunately, it is released at the end of the tail of a wave of excitement, all of which follow the basic structure: the wealthy people and/or celebrities calling for a few selected to join them in a distant location, and then its secret plans are enacted. “Blink” twice, “a little” Midsommar “, especially “List” They are all the modern examples that remember “OPUS” in somewhat randomly, and the comparisons do not do so the best. Certainly being part of the direction or branch in the cinema do not exclude an automatic movie – there is enough space for “Armageddon” and “Deep Impact Sadr for a very long time, and the loss of viewers before it has an opportunity to legally convincing development on them.

“OPUS” offers a huge fictional collection, Alfred Moretti (John Malikovich), who had a tremendous impact on industry and culture 30 years ago before it disappeared in a homogeneous manner from the public eye. Suddenly, he returned with a big new album entitled “Caesar’s Request”, and in a very highly Agatha Christie style, only a few people called out to the center of anywhere in Utah, where he resides his complex, and listens to the album first. These unnamed guests are photographers, Bianca (Melissa Chambers), a former Rock star rival for Alfreds, Bell (Mark Severteen), influencing social media, Emily (Stephanie Soganami), TV figure, Clara (Juliet Lewis), and a music publication editor, Stan (Murray Bartlet). Like “Willie and Nika”, Alfred also calls one of Stan employees, young and ambition (but still unknown), Ariel Oton (Ayu Edpere). I called her something that everyone assumes is a charitable act on the part of the star, especially Stan, who insists that he will be the only one who writes the final pieces of their time in the Alfred complex.

It is certain that Ariel is the one who begins to wander around the puzzles surrounding Alfred, his new album, and his relationship with the worship organization called “The Reuters”, and why each invitation is monitored extensively and shaded by a level assistant. Things eventually become dangerous and violent, but the big issue is that when they do it, it is still unclear. These answers come, but for some, the time will be too late, and I cannot blame them – tilted films work better when a set of risks and rules are created, even when they are changed later, and “” OPUS “is very relevant for a long time.