The Senefield episode, which she did not realize, had a non -smooth shot

In the episode “The Bookstore” (April 9, 1998), Newman (Wayne Knight) And Carmer (Michael Richards) He decided that it would be good to start their cart. However, neither of them wants to be the vehicle of the vehicle, so they immediately decide to employ an employee, which leads to a series of interviews/very strange tests. One of the candidates, being stronger than them, steals the cart. I remember that Newman and Kirmer are not very good businessmen.

In the end, they recover the vehicle and have to return it to their neighborhood. Instead of walking, Numan Kramer is convinced to pull it. Kramer hates arrangement. At one point, when the two are on a slope street, Kramer stopped extending his arms, and he accidentally sent Newman to the bottom of the hill. In one fun shot, one can see the poor Newman, screaming, neither power nor power while escalating in the street, completely out of control. The streets are supposed to be in New York, but Los Angeles citizens will definitely realize that Los Angeles

Although it is a wide snapshot, one can definitely see that Newman in this vehicle. One may assume that Wayne Knight made his own trick and that film makers simply pushed him down hill, and grabbed him before the cart hit anything. However, the snapshot was more complicated than it. In fact, the cart was pulled by a truck. In the post -production stage, the truck was carefully and with distress, nullified of the frame. You will never be able to know the final pieces of “The Bookstore”, because the special effects are smooth. Certainly, it is a second moment, but it is smooth though.

“Seinfeld”, of course, is not a very heavy show, so such a trick is noticeable when it comes.

On the “Seinfeld” DVD features, The director of the episode, Andy Akraman He expressed his satisfaction with the ability to leave the studio and shoot at the site. The “Senefeld” groups were present in Red studios in HollywoodSpecifically at 846 North Cahuenga Blvd. , While the city center of Los Angeles is only about 30 minutes (which is translated through the traffic conditions in Los Angeles, not less than six or seven miles only). Akraman also indicated that the fleeing vehicle was a more classic comic than the show that he usually obtained, and compared to something that one might see in WC Fields.

The director of photography in the episode, Wayne Keenan, indicated that the filming in the city center made a problem, because he was not able to enlarge far away and reveal that it was not New York City. As he indicated, regarding the effects:

“We had a truck that pulled the cart under the street with Newman at the back of it (of course). Then, in the post, it wipes out the truck.”

Akarman was astonished by the cleanliness and beauty of the shot. Most TV viewers were not able to discover any VFX deception.

Enjoyable triviality: The entire story of the vehicle was an alternative at the last minute of “The Bookstore”. It seems that the exhibitors were made and perceived a full floor, as Kramer provides a stressful taxi (TED Post) by offering free of charge. However, Kramer gets a taxi taxi, and offers his own car as a substitute. It seems that the exhibitors did not like this story, and decided to edit it completely. The story of the Newman/Kramer Rikchu was hurriedly written in place, and it was fully filmed in one day, including the truck sequence. Few watched the exciting Cabbie story, but the story of the cart was a good alternative.