The Seinfeld shirt episode was swollen nightmare for one crew member

In the “Sinfield” episode “The Puffer” (September 23, 1993), Kramer (Michael Richards) He begins to dating an ambitious fashion designer named Leslie (Windle Meldrom), which, according to his own description, is “low solutions”. That is, it usually speaks in a very low size. Jerry (Jerry Sinfield) is a conversation with Kramer Leslie for lunch, as he tells them a prominent TV appearance coming. It is “today’s offer.” Leslie responds, but Jerry cannot make what she says in the crowded restaurant, so it is just a fiter gesture. The next day, Kramer reveals that, in the gesture, Jerry agreed to wear a shirt designed by Leslie, specifically for his “Today” appearance.

The shirt is described as “swollen”, because it contains sleeves and annexes that resemble cravings on his chest. It seems Something that Lord Bayron might wear. It is ancient aristocrat, of the old style, and outside its place. Jerry tries to do so and embarrasses immediately. Lesley was unintentionally promised to wear it, so he is committed. Of course, when Jerry Bryant Gomepel meets on the air, the host immediately mocks the shirt. Jerry, who tries to enter the spirit of things, clearly hate the shirt, begins to ridicule him. The irony is angry on Leslie, and finally she raises her voice to Jerry, which insults an option to his honor. Everyone feels shy, no one learns anything, and they all lose. This is how the world of “Senefield” goes.

“The Puffy Shirt” is one of the most famous episodes of “Senefeld”, and the same shirt, designed by Sharman Simons, is now on display at the Smithsonian National Museum of American History. The special features were also revealed on DVD “Seinfeld”, the shirt design was a task, as no shirt was “swollen” as the creator Larry David requested. Simons ended up “strengthening” the shirt with wires to make it “swollen”.

Simons was interviewed about the shirt, and the process remembered:

“Larry said that we wanted somewhat to look like a piracy shirt. I thought (skeptical)“ well. ”So I went out and went to all the homes of the rollers and got some of these shirts, such as Airul Flynn, and I named it from Warner Bruce, and I brought all these shirts, and they said,“ We love these collars, and we love this ruffle. ”( The sleeves, because it was a kind of idiot.

On the same special features of DVD, Sinfield himself indicated that the shirt was not swollen enough, and cited the use of Simmons for the wires to make it get out of his body. One can imagine that the short was terribly uncomfortable. If a viewer looks closely, they can see the wired rings around the Senefield arms under his shirt. It is a comic, but it is strange in a strange way. It simply looks out of the place on a limestone because the character is an urban nervous character, not used for amazing clothes or wild glow.

The “swollen shirt” ends with the defense of luxurious clothes. The ridicule of the shirt is donated to destroy the Lisli design profession, and all the swollen shirts that you made to goodwill. The last scene of the episode shows that many of the poor local population and unlike people have bought and publicly wearing shirts. The poor now seem aristocrats, and restore fashion options in the late eighteenth century. Jerry, in seeing the shirt in public places, finds that he is not desirable after all. The episode may be echoed Because there is a remote comment on the separation under everything. All of this comes due to the shirt design.