The science fiction series from Morgan Freeman is ideal for Black Mirror lovers

The series of science fiction and the strict way may look like a match made in heaven, as with the “Black Mirror” from Carlie Broker. The Netflix series offered everyone from Peter Kabeldi to Miley Cyrus, Take advantage of a wide range of offers that confirm Dystopian stories About technology and its contract for humanity. Although Not every “Black Mirror” episode comes with prior comment or in time About the state of the world, the series undoubtedly put a criterion for television chosen that flows into speculative science fiction.

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However, not every type of type that is presented with the talented A-List menu in making a mark, as some people only can transfer an abstract sensation of the range without any related meaning. David Weil “Solos” is an ideal example of such a rise, as technology criticism comes exclusively in the form of transverse monologues. This is not a terrible idea on paper, as the psychological impact of living in an excessive technical society is worth exploring at the mini level. But the problem of “individual duties” is that not all monologues are interesting enough to control, as performance can be impressive like writing. In the end, there is a constant feeling of characters who speak a lot, but do not say anything worth noting.

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So why do “black” lovers check “individual duties?” For beginners, the color similarity between the two offers raises the subjective interventions that indicate our complex relationship with technology. Both offerings make us think about the frightening effects of technological accreditation, which gradually invade our minds/bodies and rewrite our feelings. In addition, “Solos” features some amazing episodes, including “SASHA” and “NERA”, which offer some of the most critical of consumer culture of Dystopian lens. And oh, we also have a permanent Morgan Freeman, which appears throughout the “solo miracles” to weave the different stories together in one coherent story (almost).

Spoilers For “individual mirrors” to follow up.

“Solos” presents every symptomatic story, where the speaker is alone or accompanied by at least one listener (human or non -human) on the screen. In the opening episode, “Lea”, the Times scientist (Ann Hathaway), spends most of her time in isolation, because she is fighting to break the practical application to travel through time. These emerging frustrations feel more clearly due to her mother’s terminal illness, adding to her urgency to the need for scientific penetration. When this happens, Lea talks to various versions of herself, and revealed the foundations of existential awe that comes with the fear of losing a member of his family. Of course, the plight of why is more complicated than this, which Hathaway transmits to the visceral influence, but the general implementation feels separate from these severe feelings.

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Although most episodes in “Solos” are uneven like “Leah” (including rings in which Tom Mackie speaks to a robot shape, which aims to replace it after his imminent death), let’s talk about some good things. In “Sasha”, a young woman (Ozo Aduba) escaped from the end of the world alone by living in a 20 -year smart house, but one day, Amnesty International insists that it is safe to go out. Sasha feels terrifying, as she almost started screaming for Shakbir about how she was not confident in technology that she kept safe for more than two decades, because she believes that artificial intelligence deceives her. ADUBA’s amazing and emotional performance, the episode cracked on the puzzle that comes with excessive dependence on technology, which often forms of we as human beings. When people’s legions rely on automation systems for daily survival, can this instinct itself be relied upon when it is time to leave such a clinical prediction?

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“Solo Pirates” does not provide clear answers, but they provide more moral dilemmas, as in “NERA”, where the mother (Nicole Bihari) gives birth to a child that allows the rapid aging to communicate with painful honest terms. The two remain isolated due to the terrible weather, which generates more lack of confidence between the frightening mother and her fast elderly son, but they are able to find a common ground in the common unit. This episode is more terrifying than most of them, but it depicts the conflicting feelings that a person is not completely human, because technology has changed biology in irreversible ways.

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There is also Freeman in the role of Stewart, the patient in the Alzheimer’s disease facility, which tells every cross hole and ends with a more important role in the biggest narration. It is assumed that the presence of Stewart in the “individual platforms” is assumed to cry, but this is not operating as intended, such as the efforts made by the non -heart series to make us feel separate from our direct facts. This is not “Devs”, which can motivate us to abstract and uses its clinical preparation to lift the relevant queries. On the other hand, the “individual platforms” often feel free of sincere imagination.