Finding fun on classic stories can be difficult, but some smart creators have found ways to reconsider the known properties with a lot of life breathing in a privilege that loves everyone. These small exercises to reconsider the old FAVES are almost necessary for creativity who are looking for a function in the current repetition of Hollywood, as everything should have an immediate hook or a link to existing intellectual property. Paramount stumbled in a cheerful review of “Al -Shuhaoum” with “Al -Shehm: the height of the pink ladies” on Paramount+But this victory will be short -term as the sign decided to cancel the series after only one season. But the reason to get rid of the magical small show is frustrated, because the financial affairs of the largest studio was the main driver behind the step to pull the plug on “Grease: Rise of the Pink Ladies”.
The show begins four years before the events of “grease”, Nancy Nakajawa, Jane Vaquiano, Olivia Valdovinos, and Sinthia Zdonovsky before they managed things at the famous Redel High School that will become. As former outcasts, “pink ladies” named in their hands takes an indelible one, due to some interesting shows by Trichia Foucahara in the role of Nancy and Marissa Davilla in the role of Jin and Shtian Wales in the role of Olivia and Ari Nottartasu. It was amazingly fun, and it was reduced as Paramount+ decided to cancel the offer in 2023, but also withdraw it from the broadcast service completely after only a few weeks.
The creator of the Series Annabel Oakes series shocked the decision and bid fans knowing how the amazing team was through these decisions. “In a particularly brutal step, it is also removed from the next Paramount+, and unless you find a new home, you will not be able to see it anywhere,” I wrote on Instagram stories. “The work team and creative partners have destroyed all the full erasure of our offer.” “People are already sending messages and videos about how much the show means to them, and I love hearing completely and seeing them. The first thing we love is to see the show before it comes down.”
Paramount saw the opportunity to get a tax benefit by canceling grease: Rise of the Pink Ladies
It was a big story during the year 2023 Approval of premature cancellation offers Through many pillars of the entertainment industry, driven by the efforts of David Zaslav, CEO of Warner Bruce Discovery. There was a collective spread of the content at the end of the tail for the year 2010, and when there were no more lands to absorb, the big players in space began to unify their holdings. I followed forces like Paramount and Warner Bros. Discovery followed by withdrawing production through the plate. (All of this coincides with the impact of one age of a health crisis in 2020 and the shareholders who suffer from the broadcast money has dried up!)
When you reduce the costs of this scale, executive officials begin Canceling any project that is not one of the 10 largest things on the platform. Although it is very enjoyable, “Grease: Rise of the Pink Ladies” did not fulfill this demand and got the ax as a result. It is unfair because the offer could have been running easily for at least two other seasons, but the financial priorities ended on the way to the road, which is inconvenience. Paramount argues that they have numbers Their claims in Fariti reports; However, anything that did not appeal to the largest audience that can find itself quickly abroad. This goes to more than Paramount studios, where he chose Warner Bros. Others shaved this money at the expense of programming in all fields.
“Al -Shuhaum: the rise of pink ladies” deserves a better frankness, and the same can be said about the bidder Ansabel Oak. She had a lot of positive reactions to the series, as the fans found the show in the middle of the road during this first season, with some fields of optimism about the second season. But the volatile environment of the TV cut off the show before the full audience that a show like this could find it. Although the cancellation problem is not as harsh as it was in 2023, we still see networks and studios that pull offers on offers before they have an opportunity to find their grooves. All he does is to make sure that the audience is very invested in the new programming, which begins the vicious cycle again.
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