The real reason for a lot of amityville horror movies

As the classic horror movies go, it is difficult to match “The Amityville Horror”. It is not loved by many of those who grew up with it, but it was also in some respects before the curve of our culture obsessed with real crime, such as director Stort Rosenberg on Jay Anson’s book of the same name It was inspired by the alleged superheroes of the Lotz family After they moved to the house where Ronald Davo Junior killed his family in 1974.

More than just one movie, “The Amityville Horror” continued to inspire a full privilege, which consists of eight films produced during the 1980s and nineties. However, horror lovers who went to the rabbit hole are certainly aware of that There are dozens of films that have benefited from the name “Amityville”Which is taken from the village in Long Island, New York. This ranges between “The Amityville Hanting” to “Amityville Vibrator”. Yes, this is real.

This asks the question, why are there a lot of “amityville” movies? In short, it comes to the fact that no one technically controlling IP is the way in which most traditional horror privileges are controlled. Enjoy Warner Bros. With “The Convaluring”, but Amityville is just a place. This is its essence.

Now, when it comes to adaptations that are directly involved in the Lotz family or Anason’s book? This is where things can become non -decorative, but the vast majority of films we are talking about have nothing to do with source materials that have helped make a amightville a familiar name.

It was the last prominent theatrical entry into the concession The 2005 “The Amityville Horror”, starring Ryan Reynolds, which achieved $ 109 million At the box office at a time when the reinterment of terror was anger. Everything was produced independently and was released directly to VOD/PRAMING, or was released with this small theatrical imprint that barely charges.

It was one exception 2017 “Amityville: The Awakening”, which was completely bombed at the box office After delaying it for successive years. George Lutz, who played James Brolin in the movie “The original 79”, made a lawsuit against “Amityville II: The MustGent” and “Amityville 3D”, the Dino de Laurentiis product in 1989. Basically, they ruled that the public was associated with the concession with Defu’s murders, not the Lutz family specifically. via Paste magazineReading opinion:

“The mass killing was published in Amityville House and its superhero at the time, as it drew the attention of newspapers, magazines, television reports and the church, which led to another book,” Murder in Amyville “Hans Holzer. Even the prosecutors do not dare to demand that the ownership of all secondary associations resulting from this propaganda.

The judges added, “The second and third pictures did not revolve around Lutzes, who had no monopoly to create horror stories at home as Devio’s murders occurred,” he added. “This issue is nothing more than an unjustified attempt by the plaintiffs to compete for themselves the right to exploit the name of the town of Ametville commercially to exclude literary, artistic and commercial worlds.”

It was basically. Legally, filmmakers can take advantage of what was considered a very published issue as well as the town of Amigyville, as long as they did not focus on Lutzes without their permission. For producers looking to make a fast -bak, this has proven that it is somewhat important.

If one goes to the free broadcast service TubiThere are at least 50 different films with the word “amityville” in the title. Most of them cannot be a lower relationship with the famous hunt that inspired this privilege in the first place. Instead, it is ridiculously ridiculous, and it is a micro -budget affairs that can generate curiosity clicks based on the futility hypothesis.

Some examples are 2022 entitled “Amityville in Space”, “ In time, “Amityville AI”, my personal favorites, “Amityville Death Evalet”. There is also a type of creature in the form of “Amityville Scrohrow” for the year 2022, which was born in itself with a privilege with “Amityville Scarrow II” that reached the same year. The important point is that these are the Schlocky inputs in the “Amityville” law that took this from the horror privilege with less than 10 entries to the uncontrolled Juggernaut Juggernaut from the cheap slope with more than 60 films and counting.

One may wonder how this can be profitable. Do you really see enough people “Amityville Bigfoot” to make such projects worthy? Without a look at the public budget for companies such as Jagged Edge Productions or Wild Eye Sereed-Hide, the brief answer is yes. This is not a new thing. Mockbusters was part of Hollywood for decades. For every “higher pistol: Maverick”, ” There is “Gunner Top Gunner: Danger Zone” to be in line with it.

These films are generally made for penny pennies with bad effects and new actors who will work on something practical. It is integrated into the business model. The reason that Amityville deserves to be present in these titles is that people will search for “Amityville” in their favorite broadcast service or on the smart TV menu, and Vola, some of these films will appear. They will see them out of curiosity or happy ignorance. Either way, the cheap “Amityville” films became an exotic cottage industry.