The movie Cort Russell and Silftter Stallone was filmed by three different managers

Buddy Cop 1989 “Tango & Cash” is a strange animal. The Leftan Ray Tango (Sylvester Stallone) is a star policeman of the LAPD drug department in Westida, while Lieutenant Gabriel Cash (Courtsel) is the star officer in Eastside. People from Los Angeles know that these are vital differences. The two did not meet at all, but they hate the criminal underworld, and it is prepared by drug dealers to take autumn due to a drug statue. Tango and criticism are filled in court, and they end up in the Aqsa Security Prison. To disinfect their names, they will have to escape and track the bad guys, including the Eve Peret gangs, which Jacques Palas play.

The story is wide and all over the place, and the tone is a strange strategy. “Tango & Cash” is a spot like a policeman in the eighties, but its sense of humor is strange in a strange way, and its terrible text. Russell is a charming, enough actor to deal with this kind of light brick representation, but it seems that Stallone is strangely lost. The husband has no chemistry. “Tango & Cash” was not loved when it came out, and he currently has a 31 % approval rate on spoiled tomatoes. He was nominated for three Razites. Sufficiently, the film was a good success, with more than $ 120 million with a budget of $ 54 million.

The tone of the film’s scattering may be easily attributed to the fact that three of the directors had to take turns to arrange it. Andre Konchalovsky, scriptwriter Andre Robov, Evan Children, and Director of the Running Train. Konchalovsky, however, was shot by producer John Peters three months after the shooting. They seem to have heads at the end of the movie. Film making story It was indexed by melting.

The troubled production of “Tango & Cash” was a common knowledge, even at the time. Report from Los Angeles Times newspaperAnd published in November 1989, indicated that many of the scenario reversal, director changes, and other scheduling problems forced the film’s budget higher than expected. It is also photographed in the middle of the lawsuit. Sony and Warner Bros were arguing about who had actual control over Entertainment GBER-Peters, John Peters Production Company.

And golly, employees change this shake. Konchalovsky was partially launched for creative differences, but also because of the amplification budget. He was replaced by Albert Magnoli, Director of “purple rain” and many other projects for the prince. It was not mentioned in the Times article is the fact that the director of the second unit of “Tango & Cash” – strangely, an executive producer – Peter McDonald was brought for a few weeks for guidance before Magnoli started seriously. Stalon McDonald has been documented, although he brought out “Rambo III” in the previous year. (McDonald will continue to make it “The Neversending Story III: Escape from Fantasia,” who starred Jack Shab Black. Although Konchalovsky was the only director who is thanks to it, “Tango & Cash” has three. Because Stallone was pushing heavily to control various aspects of production, it may be considered one of the fourth unofficial director.

An example of this: In the Sonsolve article, he indicated that the original film photographer, Barry Sonnefeld, was launched by Sylvester Stallone for not lighting it in the way the actor prefers. Sonnefeld was replaced by one week by Donald E. Thorin, who launched the “purple rain” of the Magnoli.

All this was in light of the continuing adults. Randy Feldman is the only screenwriter who is credited with it, but the text program has changed hands several times.

One of the script book was appointed to rewrite the “Tango & Cash” script was Jeffrey Boom, and said in the interviews (especially, With the accidental critic in 2012He hated his work in the movie, and he was happy with the lack of credit.

No one can say any of the directors make the movie very exciting. There is a nude prisoner showering in “Tango & Cash” that looks like residues that left dust from women in the seventies of the last century, in addition to a scene in which Russell and Stallone are arrested in small white tank peaks in the rain. Then, for good, Russell has a scene where he wears his clothes in the clouds to arrest the police. The sexy men’s bodies were common enough in the 1980s (see: “Top Gun”), but it seems to be particularly intense here.

After that, moreover, the poor editor of the film, Stewart Bird, had to collect something mysteriously coherent from all the footage of the different directors. Baird may be the true hero of “Tango & Cash”, where he managed to make a movie, although it is strange and vital, at least coherent. Baird is one of the three editors in the movie, where it replaced Robert A. Ferretti and Herbert CD La Poilleri rented to join him. Bird was also the person who rented composers Harold Valertier and Gary Zhang to re -present the movie.

Bird will eventually start directing his films, including “Executive Decision”, “Us Marshaals”, ” And “Star Trek: Nemesis.” He also continues to edit prominent movement films. Let’s give the man the appropriate pillars for him.

Stallone, and at the same time, He wants “Tango and Criticism 2” No one does.