The highest -rated horror movie in Metacritic is classic 1960

This type of horror gave the masses all kinds of different concerns and tremors over the years. according to MetacriticHowever, one of the founders of a specific pulses is still hitting the sweet spot of fear of us after several decades of its initial launch. It goes without saying, I also made /The demolished is a movie for the best horror movies in all ages.

The list of the 10 best movies for horror movies for Aggregator is a wonderful collection of real classics, where the latest introduction is “Halloween” from John Carpetter for 1978 “Halloween”. However, there is a single horror film wandering over the likes of “Frankstein” of 1931, which is the conquest of science fiction for 1956 “, until the horror drama of 1968” Rosemary Bibi “-a masterpiece of Alfred Hitchcock. The standard of terrorism is” psychological “.

It was released in 1960, may not be generally considered in “Psycho” Best Hitchcock movieBut it is definitely one of the most popular and well -known parts of work. It is a film that brought the fans in a nightmare was not ready for it, following the escape secretary looking for a refuge in a quiet motel to conclude a dead, causing the secret of worrying. But what is going on about “Psycho” that still sends chills to the viewers ’columns and keeps it at the lead in Metacritic after all this time? With the exception of the iconic shower scene and music that everyone believes that it can be repeated without a tool, one of the elements on which the film is completely relied on is the calming and dead delivery from Anthony Perkins legendary in a performance that remains a chilling as it was ever.

Since the release of the Hitchock movie that changes the horror game, we have had a lot of twisted murderers on our screens. Whether it’s so, Perkins’ performance is that Norman Bings is still great that links you every time you see it. Just like his mother, Norman seems that he will not hurt a fly at first, making him more worrying when he begins to be sliding and only realizes the type of monster he hides below.

The development of Norman has created the “Psycho” mold for many killers on the screen that followed in its aftermath. From Patrick Batman in “American Psycho” to Lecter less detecting than “Silence of Lamps” (or even the likes of Jack Torrance in “The Shining”), whenever these characters surrender in urging them darker, it is difficult not to see a flash from Norman Pits stare at the back. It is the thing that makes “Psycho” the main component of a distinguished horror.

Although Hitchcock did not see it as a “dangerous” movie in particularIt is not a joke that “Psycho” is still a really good watch after 65 years and takes a trip to Bates Motel worth taking. Good luck for any movie that ultimately tries to rape its place in Pantheon horror; Norman will always wait for a creeping smile on his face.