The French voice is afraid that the artwork is transferred to London

TAPESTRY Bayeux, who documents Norman’s invasion of England in 1066, will be closed to the public in France of Monday where the opposition escalates before moving to London.

Next time, it will be possible to see the artwork of approximately 1000 years old when it is displayed at the British Museum in September next year.

However, the French art world strongly opposes the project, as experts fear a masterpiece of 70 meters (230 feet) very sensitive that it cannot be transmitted through the channel.

French President Emmanuel Macron and Prime Minister Sir Kerr Starmer announced the loan when they met in London in July.

The past few weeks have seen a significant increase in the number of visitors at the Bayeux Museum before closing it from September 1.

A new width area is built for weaving, which will take at least two years.

Closing – The planned for a long time – is what gave Macron the opportunity to perform his work from cultural diplomacy, and he is obligated to France Fabric loan to the British Museum For the year next September.

But this promise sparked a cry from many in the world of French art.

The petition – which describes the loan as a cultural crime – attracted 60,000 signatures.

What many opponents of all are offended is the high -end way they feel that Macron decided to make his gesture to the United Kingdom, which led to the advice of specialists who say that unavoidable vibrations on a long journey through the road can cause irreparable damage.

On August 22, a French official who overseeing the loan defended this step, saying that the ear was not very fragile in transportation.

Philip Bellafal said no decision was taken on how to transfer the fabric, but he highlighted a study earlier this year that made detailed recommendations on dealing and transportation.

“This study does not stipulate that this fabric is not transferred,” said Bellafal. The authors of the study or their conclusions were not revealed.

Cecil Bennett, adviser to the Normandy Regional Museum, said at the YouTube publication in February this year that the transfer of long distances from the fabric would be “a threat to memorization”, adding that it is “very fragile.”

The huge embroidery – which is widely believed to be created in Kent – in London from next fall to July 2027.

On the other hand, the treasures, including handicrafts from the Anglo -Saxon burial hills in Soton Hao and chess cut in the twelfth century to museums in Normandy.

the BiuWhich dates back to the eleventh century, draws a disputed time in the Anglo-French relations, where Anglo’s dominance was replaced by the rule of Norman.

Although the last part of the embroidery is missing, it ends with the escape of the Anglo -Anglo at the end of the Battle of Himings in 1066.

Its scenes give 58 and 626 characters and 202 horses a unique narration about the medieval period in Normandy and England, not revealing information about military traditions, but also valuable details of daily life.