The excitement movie turns brutal work into an unpleasant confrontation in the flow of the total nightmare on Netflix

by Robert Scotchi
| Published 27 seconds ago

“I went back on my day, the killings in the films meant something,” is the sentence that I found myself talking after broadcasting after 2020 Dismantle On Netflix at the end of last week. After being performed by the air for several minutes while distributing the credits, I thought about what I just said, and took some deep breaths to a psychological center, and decided to think about things rationally for one second, which is more than I can say about one character in this excitement movie that failed to adhere to because no one deserved the root.

With disappointment and emptiness, but I was never enjoying, I tried to think about what Dismantle I was already going, then I started laughing because it looks like the writer Karl Elsworth and director Derek Port really believed that they had happened to that Fall On their hands while losing the full goal of Michael Douglas masterpiece, which actually includes sympathetic characters despite their terrible behavior.

The arc of revenge is mono -dimensional

Dismantle Tom Cooper starts from Russell Crowe by killing his ex -wife and friend, and lighting their house on the fire before we got to know Rachel Flynn (Karen Pistorius), and she is a recent single mother.

However, I am not trying to be very difficult for Rachel, because it may be that it has a bad position as a result of her divorce, but we have never given enough context to confirm this.

And building my opinion on Rachel on what I saw playing on the screen, and not the events that occurred in her life before the events that were filmed in Unacceptable She found it difficult to see her in a positive light because she was immediately established that she is blowing from work and half of her on the front of paternity and motherhood, which led to her son, Kyle (Gabriel Batman), and she had to pay the price because it is his journey to school, and punished with his repeated detention.

Rachel’s combat position is also what is equipped Dismantle In the movement because after its launch by its best agent (for the above reasons), she finds herself stuck behind Tom at an intersection, which leads to her tend to be on the century, and rushes in the past.

I escalated quickly

In stopping the following traffic, Dismantle His name appears when Tom apologizes to Rashil, and asks her to do the same with him. Instead of apologizing, Rachel rejects frankly, although Kyle asks her because he is terrified. From this point forward, Tom Rachel continues across the city, stealing her phone when she stops at the fuel station, starts passing through her connections, and retreated to kill everyone who cares for her to teach her a lesson.

Tom murders a lot Of people DismantleBut he also explains that he will stop if Rachel apologizes. Never apologize Rachel – even after Tom has started to get, because she is very stubborn for confession, or, at least, she says what he wants to hear until he stops trying to kill her family and friends while exposing countless innocent passers -by in this process.

Unharded does not fall

In the value of the face, it is easy to compare Dismantle to Fall In the sense that both films are distinguished by a man who has a grind of grinding and nothing he loses after being subjected to ill -treatment by the world throughout his life. The comparison here stops, because despite William “D-Fens” (Michael DouglasCrazy behavior in the 1993 movie, still is a sympathetic personality; He has the amazing revelation that in reality the bad man after he spoke about some meaning, and he has to face the consequences of his actions.

Certainly, William Foster is basically just a karen with a pistol that fired on reassured victims in FallBut the writer Abi Ro Smith and his director Joel Schumacher Make it clear that he is not right in the head, feels injustice by society, and decides to take matters in his hands. With William Foster’s behavior escalating, the audience moves from the root to him, to thinking that he takes things too far, to realize that he is not the hero FallBut simply the protagonist who follows his story.

Unacceptable On the other hand, nothing of this.

He barely feels that Tom Cooper’s agitation is justified because Odysse begins to kill with no context explaining what he had to the edge. Indeed, since then Dismantle Start On the edge, there is no other place to pay an increasingly escalating hypothesis alongside the violent lands that it occupies with a small or non -return. What made the clay worse is that Rachel, who was clearly separated in life in life, exposed a zero or ingenuity of her own situation, which makes her clearly unwanted because she at any time should have just had a half -incentive apology and moved with her life without coinciding with a mental disorder who has no real exit plan to study killing.

Instead, she takes zero responsible for her own situation, and makes herself an unnecessary victim because her pride does not allow her to replace and recognize any mistake on her part for one second.

Flow on Netflix

All criticism aside, Dismantle It is very honest because these are not real people-they are single-dimensional cartoons talking in TRERER. I will not even tell you about the single match that brings things around the full circle during the final confrontation of Rachel with Tom because I do not want to spoil what is meant to be a line with 90 minutes of accumulation that has no right to be funny as I found it.

monitoring Dismantle As an unintended comedy is the way to go, and you can do this by flowing the title on Netflix the next time you want to witness an urgent irritation from the highest demand.

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