The emotional bowel punch from the cinematic universe Marvel

Stop me if I heard this before – a crew is forced to refuse to cooperate and save today, although everyone who faces them believe that they are doomed to failure. In the classic war “The Dirty Dozen”, it is a group of prisoners assigned to a suicide mission to kill Nazis in World War II. in “The Guardians on the Galaxy”It is a group of potential heroes with twisted characters and vocabulary that save the universe. In the movie “The Suicide Squad”, it’s “The Dirty Dozen” but with the benefits directed by the man who made “Guardians of the Galaxy”. But with “Thunderbolts*”, it is a group of mercenaries and social women who are rejected with the great powers who have to save themselves before they hope that they are beneficial to anyone else.

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It’s too One of the best films in the world of Marvel CinematicThat is, because it is no Feel like something from the current era of MCU cinema.

The Thunderbolts*, which was named after the remaining football team in the ideal loss season (sponsored by Stan Tires) that Yolina Bilova (Florence Bug) played as a child, a sister of the adoptive mentioned above from Black Arm John Kamin) who suffers from her molecular imbalance under control, and Asmaaster (Olga Corelinko), and the Russian super soldier Shostakov/Reed the guardian (David Harbour), who has completely bent in his embarrassing era.

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Then there is Bob (Louis Polman), who appears to be an ordinary man with some serious mental health issues that cross the paths with the crew after Julia Luis Drifus “Valentina Alegra de Fontaine pushes them all to a deadly trap. UNIDED stands, divided we start, or anything else, but” Thunderbolts*”do not work together they are not committed or system – but because this is the only way Which of us can hope to survive in Hell.

Whether it is a fair criticism or not, it is a personal matter or not, but there is an assumption that when the famous actors fall on a super hero’s movie, they “flourish.” But with the continued development of superhero films, as well as the requirements of actors on the screen. Marketing may focus heavily on Bucky Barnes, but does not make mistakes, the true leader of Thunderbolts* is Yeena, and the performance of Florence Bug is sincerely the best. With her expressive face and innate ability to attract the audience Feel What you feel, it offers the strongest leadership performance in MCU since “Avengers: Endgame”. ((Note: I said “movie”, if we were including TV, this honor goes to Elizabeth Olsen as Scarlet Witch on “Wandavision”, no @.))

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There is a lot of combat sequence and cheerful pieces (Stuni Moneymaker who really brought her a game A to this game) to achieve the required movement shares, but PGH is the emotional anchor that raises this to the usual fare. MCU was desperately looking for (and struggling to find) its new columns to replace Avengers, and “Thunderbolts*” proves that Yeena is a dreaded support ray. As with all Marvel movies, the message can get a bit heavy sometimes, but regardless of the number of times Yeena empties a self -documentary criticism of itself or allows the antichrist syndrome to take the wheel, it always feels that it is real because there is no other person working at the same level of PGH.

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Although it is a super film, “Thunderbolts*” visually, dark, and subjective – is objectively suitable for the central topics of loneliness of feeling loneliness, sadness, regret, post -shock disorder and knowing how to allow yourself to care. It is also a major reflection of the main bad guys in the film, embodying incarnate government corruption, known as Valentina de Fontaine, and Bob/Sentry/Void. Valentina uses its government position and its authority to force Thunderbolts* to do its bids, and not in contrast to the way government regulations are highlighted around the world and their most vulnerable exploitation. Louis-Dreyfus mainly plays the Walugi version of Selina Meyer from “Veep”, which is perfectly suitable for it. It is a poison behind a pointed smile on its way to TIPTOE The Tightresp of Art Neugenics.

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But the real forefront is Louis Polman as Sentry/The Void, which may also be “The Supervillain”. He leads because he fluctuates between three different versions of the same character, and the fact that his genes Receive the memory of other beloved letters Only another layer adds to his charming performance. Perhaps. The void is a terrifying evil because it does not work with explosions or aggression; It is just your stain in nothingness on the outside, while inside, you are trapped in a maze of your subconscious. It practically launches an existential crisis only by looking at it.

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Pullman was fighting “only obtained the role because of favoritism” for allegations for a while now, but “Thunderbolts*” should be closed. He got goods.

Because as shown, albeit dangerous in the tone and subject as it is “Thunderbolts*”, the movie is also mature with the expectation of the usual MCU fans. Fortunately, humor is launched as a tool for stories to achieve a balance between darkness. A mixture of Marvel Marvel Marvel Eric Pearson with Joanna Calo from “Bojack Horseman”, “Hacks” and “The Bear” fame where the minds behind the text were a winning mix, and one MCU should think about trying to repeat the proceeding.

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When the world is terrible, many people resort to fictional escape to close the reality of their situation. I? All I want to do is watch movies about people who feel dismay and learn how to stay in the face of all terrible. Thunderbolts* offers exactly that, and provides a tablespoon of loud sugar from David Harbour to help make the drug decrease. It is self -perceived comedy, and it is dangerous, never sacrifices a story of its participation, and never speaks to the audience even if it is more clear to the four viewers.

“Thunderbolts*” is exactly the type of film that MCU needs at the present time, but after losing a series of performances less than stars, I am afraid that the fans will not turn to the players in the second series, which will only send the message to the powers that you should return to boring and safe familiarity. But I hope I am wrong. I hope that “Thunderbolts*” Overperforms will be at the box office and help enter a new era of Marvel films that allow actors to act and the risk of raising them by Putting characters in concrete environments instead of CGI HellscapesThe characters that force us to bend the sympathy muscles, and Florence Bug lead the road.

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/Film classification: 7 out of 10

“Thunderbolts*” is opened in theaters on May 2, 2025.