The director of Shawashkk made the redemption of the redemption, Stephen King, early in his career

A few directors We appreciate and understand the vision of Stephen King, like Frank Darbonst. This estimate can be tracked all the way to The box office bomb in 1994 turned into the “Shawshank Redemption“Where Darabonte drinks a serious prison drama with exciting dangers. It may be tempting to classify a movie like” Shawshank “as a micro, but this emotional surplus was since sincerely to the extent that you will find everything for prominent beauty, and there are cosmetic stories. They grow despite external resistance.

Five years later, Darbonst approached “The Green Mile” through a similar lens, and she got its main success and four ophthalmology nominations. However, the real capabilities of Darabonte as a brilliant director to bring King’s stories to life “Fog”, which in one way or another managed to be more cavity than live source materials. There is also what “The Mist” is more than the unexpected end of Downer that makes it darkly dark (although the story is better for it!), Because the DAABONTONTTLONTION Topics is still sincere in a refreshing way. Even outside making Banger Stephen King Adaptations, DARABON proved that he is a competent horror scenario, after he contributed to titles such as “The Blob” and “A Nightmare on ELM Street 3: Dream Warriors.”

However, Darbonst had previously magic with Kings Ovry “Chashianic”, where the director also presented a short movie based on one of the king’s short stories in 1983. This story was “Women in the Chamber”, which was part of the short King’s 1978 collection, “You did not actually.” Therefore, let’s talk about “women in the room”.

The essence of the king “Women in the Chamber” is the remorse that feeds sadness. The story is revealed from Johnny’s perspective, the man who was forced to watch his mother with hidden diseases gradually lost. After spending endless hours near her hospital bed and her vision dealt with tremendous pain, Johnny made a difficult decision to end her suffering. However, this unimaginable burden weighs his soul. It is a sad painful story about the loss, where any motivation is confronted to prevent the suffering of more suffering from a member of his family due to the inherent horror in the act (and the guilt that comes with him).

Dubont was in his early twenties when he read this short -moving story in the “Night Shift” collection, after which the author sent a letter seeking permission to adapt it. After obtaining King’s approval, DARABON Place with a slow version ending with a sequence of a chilling dream, while highlighting his gift to make a mark through unforgettable images. When we see Johnny (Michael Cornellicon) he tries to use one of his clients in the law firm to understand the best of killing someone, the more accurate aspects of his moral dilemma are clarified in the most sudden way. Now, if you see “The Woman in The Room” today, its limits may be as a student in the stark budget somewhat crying. Nevertheless, Darbont’s technician is still as a film maker lighting up, as a lot is achieved in just 30 minutes.

It is clear that Darbonst simply gets the pulses of King’s storytell Magazine away):

“Stephen is an old -style stories narrators, meaning the best in the old style. The king loves people; you can see him in his writings. He loves their nobility and mortality; he loves the ways they can excel and the ways they can collapse and fall.

The right to. If you like to make Darbont’s films, “The Woman in The Room” is a must, because it provides a strong glimpse of the bold creative voice it is today.