The director of John Wake Chad Stelinsky had a huge argument with the studio on one note

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After the Keno Reeves murderer apparently perished at the end of “John Wake: Chapter 4”, he appears to be ready to return. John Wake 5 will return Keno from the deadWith the Lionsgate studio keen to maintain the franchise momentum follow some cross errors, and the latest being Anna de Armas starring “Ballet Dancer”.

Unfortunately, The box office seems to return to the “ballet dancer” is the death penalty for John Wake,, Which seems to bring the crowds when the man himself is in the foreground and the center. 76 % Spoiled tomatoes The result, which is a cinema, and a title that does not hide the movie “From the World of John Week” should have been better than 109 million dollars On a budget of $ 90 million. Why did he not do that? Well, the clear answer is, again, because John Wick was not the main attraction, and with the TV show “The Continental” as well, it seems that the audience only wants to appear in Rivis Heiman and not much in this prosperous cinematic universe.

If you ask Lionsgate Execs, I am sure they will have some ideas about the reason for not thwarting “Ballerina”, especially since Execs Studio had been weighing with notes since the first “John Wick” for the first time in 2014. Co -director David Lich is the opening movie.

The studio wanted to cut John Wake

STUDIO’s notes do not have the best reputation, because many of the ones we hear only look, good, ridiculous. Looking, for example, so Try A Clueless Studio Exec. The original “John Week” was not fortified from such suggestions. This did not help when the film was produced again in early 2010, there was no indication that it would make its budget again not to mention becoming great success. Keanu REEVES was simultaneously of professional calm, and the participating managers were Chad Stelinsky and David Leich for the first time in the director. With this in mind, the studio is likely to be more inclined to suggest changes, but the notes seem to have not yet stopped the first movie, and it seems that Stahelski has never forgotten.

During an interview with Hollywood ObserverStelinsky was asked if there was any studio note that it sorry to take it. “On a particular one,” John Week “, I had a three -minute fighting.” “Most of the studios, and even critics, have this strange thing in operating times. Do you really give AF ** K what time does the movie enjoy? The real question is: Do you feel bored?” In this case, it seems that the studio wanted to fly some time from the final movie “John Wick”, but that time began at best. Stelinsky explained:

“They will say,” There are identification data that people are bored of anything for two hours and 20 minutes. “No one will come out of a movie that goes,” This movie is great, but it should have been nice 2:36. “So when they said,” You must cut three minutes, I looked at them like “, the audience gave it 90 in the test degree!”

It is not clear what the movie is talking about. If this is the first, the last “John Wick” time is 101 minutes, and while Stalerski did not directly mention that he got three minutes of shots, he was asked about the studio notes he took, so it seems that the original operating time may be closer to 104 minutes. What was cut exactly is not clear either, but given that the films have proven successful, it cannot be important.

Chad Stelinsky hates obsession with running times

Chad Stelinsky is not a fan of what he sees as an obsessed focus on the operating time between studios and critics. In fact, he seems to have only contempt for that, thr says:

“I sat in a 90 -minute movie that felt four hours, and watched” Lawrence from the Arabian Peninsula “or” Seven Samurai “and felt as if they were two hours although they were forty. One of them had never had” the return of the king “and Peter Jackson is four hours.

Ironically, the latest batch in the main films, “John Wick: Chapter 4, can be said that he could have benefited from the editing of light. With the fourth batch, Sthelski and his team threw caution on the wind and produced a poem to fight cinematic, and offered to cut complex groups that lasted for a long time more longer than anything else in the series-which by looking at the privilege that we are talking about is something. AS /Witney Seibold movie, Books, “John Wake: Chapter 4” is evidence that the action movie can have a lot of procedures. The final sequence appears in particular, as the Keanu Reeves murderer is fighting on his way across Paris, to the point that Sthelski managed to make some of the most creative and strange measures that were seen in the movie, and begin to look boring, boring.

It is clear that Lionsgate did not bother you to ask Stahelski to reduce things, as the manager claimed The “Chapter 4” cut was rough and boring in parts, “ This indicates that he was happy to make some adjustments. But it can be said that this studio note should have been followed by a bit more closely more enthusiastic and was slightly more enthusiastic with discounts.





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