The cross office is a honeymoon love letter for the press

All that was said, the “paper” did not need to be accidental for the “office”. Although the national framework is still working exactly as it happened before, the comic tone of the same show appears to be a series in the model workplace. This does not mean that the “paper” should have changed the gears away from linking itself to the “office”, but fans should keep their expectations to verify whether they hope for something like the NBC series completely.

While there are “The Office” residue, especially when it comes to an Oscar in the first half of the series (although fortunate references are sparing and not contrived), the show is sometimes wandering in a more exaggerated area that lacks the validity of the “office”, especially when it comes to characters like Esmerelda and Kevin. Frankly, Nid tends to feel more as a style of a leading comic play in a romantic comedy rather than a real person. But this is actually not a bad thing! This only means that the audience needs to adjust their expectations for what is really “paper”.

This brings us back to the heart of the “paper” mentioned above. With the Steam series and the supporters learn the basic rules of the press, many fun moments come from their misunderstanding and confusion about how they were correspondents. Even Ned, despite his background in the press from the college, does not make the best decisions in his pursuit of his press ambitions (or his romantic life). But in addition to mining this material for comedy and a very fun story, it seems to be Greg Daniels and a co -founder/participant Michael Koman (From “Nathan for you” FarhanHe also hopes to remind Americans what the true press was with showing the tragedy of what newspapers have become one day. They have a Muslim entertainment episode in concept ChurnalismAnd they go further to perpetuate a full episode of conflicts of interests that have become more prominent in recent years: companies that have the media, allowing them to control their narration in the public spotlight.

Aaron Epstein / Peacock

There are other other nice little wrinkles in “The Paper” that come in the form of news memories from time to time, white, black and white that show the audience what Toledo Truth Teller used to be in his prime: a crowded news room, printing rewards for new papers Trissy Litts. These moments are a glimpse of the time when the newspaper was king and real information was evaluated, unlike the frequent information and entertainment and the bias that most of the cable news and “newspapers” have. Even the title sequence draws the unfortunate reality of today’s uses of newspapers in a little sarcastic, albeit sadly sad.

The “paper” does not walk on the same path as “office”, but this is more than a more than a mistake. It is less screaming and more polished, but Daniels and Koman have handed over the rare comedy series that is of fiery value as much as funny. It has no deficiency in the charisma, and it firmly falls with a wonderful and sparing spirit. If this is how the “paper” begins, I can’t wait to see where you go.

/Film classification: 8.5 out of 10

All ten episodes of “The Paper” for the first time at one time, exclusively on Peacock, starting from September 4, 2025.