The biggest moment for the companion goes beyond the trailer

This article contains The main spoilers To “Rafik”.

Sex, violence and terrorism are integrated into the fabric of terror. The vampires searching for brides, a distress block needs to be rescued, “Hitchcock”, and the fun of masked people who penetrate a children with children wearing clothes and consultants from horror stories, either exploiting, examining or deceiving gender -based violence expectations. However, as explained by the cinema theory, Carroll J. Klofer perfectly in its article “Her body, itself: a sex in the movie Slasher“When it comes to terror,” sex is less in the wall of the enforceable membrane. “

Horror movies are rich in gender definition, and they have been psychologically perspective that horror lovers She has a greater ability to sympathize. This is why the men of the Independent Countries are watching a movie like “Foreigners” and easily learn about Ellen Ribli as the most wonderful character without ever believed that she is “less” because she is a woman, and why women in the Association of Independent Countries can watch a movie like “The Thing” They see themselves reflected in the excessive (unknown) notes. Looking at the DO-AR-DIE formula for survival stories, horror provides us with all a safe outlet to bend our sympathy muscles and learn to get to know the characters that we want to see survival and that may not always resemble us.

In the wonderful “Rafik” Druo Hancock “Rafik” (Read our review hereThe Sufi Tatcher iris is held on the weekend with her boyfriend Josh (Jacques Kyud) – as well as their friends, Elie (Harvey Gillein) and his friend Patrick (Lucas Gigg), and Cat (Megan Suri) and Dr. Abi Sugar Sergey (RUPERT Friend) – only to learn it In fact, Josh Companion and all the “memories” of their lives together (and her life before it) are nothing more than programming. Instead of falling into the stereotypes of the “Robot Intifada” story, “Companion” is interested in List the story of physical autonomy And the study of divine care from unsafe men such as Josh and the way they treat women – artificially or not.

Fortunately, it was the biggest shock to the film outside the marketing material for “Rafik”, when it turned out that Patrick is also A companion robot and that he knows that it was a robot for some time. But when Josh chooses that also Patrick stripped his battle against Iris that the most amazing gender policy in the movie plays its role.

The connective tissue between women’s hatred and gay fear of gay men is much stronger than many. Throughout history, through many cultures, hate and gay men were rooted in the similarities permitted in gay men of women. Common transfers such as “Pansy”, “Fairy” and “Sissy” are words used to excite femininity as insult, with the most common contempt of “Fruity” originally used to describe female sex workers. A lot has written about the ritual relationship that many gay men find In the final girl’s personalityIt is usually summarized in the joint experience of gay men with women – in an attempt to survive in a repressive patriarchal world who wants them to be subject … or dead. By revealing another Patrick Crupt, the “accompanying” participates in the signing of the crossing relationship between women’s hatred and gay fear, and this is done with blood instead of ink by offering Josh’s treatment of them.

Josh admits that he bought Iris because he believes he “deserves” a lot in life from the one he has. He has deliberately confined her intelligence by 40 %, and while he claims that he had some “fun times” with her, he had no problem moving her to prepare her for murder so that he could escape millions of dollars. He wanted a piece of easy dessert for the arm that was unable to lie to him, or invited him to shortcomings, or refused his sexual progress, and when he was presented with a better opportunity (killing Sergey and stealing his wealth), he was happy to allow Iris to take the fall and it is possible to be canceled For parts.

On the contrary, Elie is in love with Patrick, and the spouses were not initially included in the Josh and Cat plan. They were not just like, as soon as Elie realized that they would earn millions if they helped be subjected to Iris, and Elie fought for a stake, although Josh or Cat believed to be “important”. The fact that Patrick is a robot that does not matter Elie, because he sincerely loves him. Patrick admits that he had discovered that he was a robot for a long time, but he was not destroyed to admit it to Elie because Iris was learning about him from Josh because he knew deeply that Elie’s love is similarly.

The evil “companion” is not all men, just entitled Chodes like Josh who are eager to control, treat the people who consider them “under it” as available, and only think about themselves.

Josh shows his true colors even before revealing that Iris and Patrick robots. It constantly directs the iris of the iris how he appears or behaves (this does not take into account how it deliberately programmed it/intelligence/voice/etc.. In a state of love with Cat and the one who can do it he does not want him to be the problem of the whole world. When his plan collapses after the iris escapes and the situation escalates (Decreased), when its real colors really begin to discover themselves from the bottom “AW, Shucks” exterior.

Iris is mistakenly killed and they are fighting for a weapon, and even after she was ready to recognize defeat, Josh recounts and ties same With the sad Patrick, he can use it to clean the chaos and accountable the skirt. When you are ready for bail, he screams and barks on her, which motivates her to remind him that she is no A robot and he cannot control it. (Revenge by killing her Patrick) when he lies to the next company to capture the “defective” iris, it links a lie on it and Kat will “”, no, no “tension as reasons for him in the iris” malfunction “and killed everyone before shooting herself into the head .

In every step, Josh blames everything and everyone is on his own shortcomings and impossible obstacles instead of looking at the interior of one moment and realizing this, perhaps, perhaps,, Just perhapsHe has some internal issues to work through. It was easy to predict from the trailers that Josh was another call of great madness denied as a nice man, but his treatment of Batrick is a reminder that men like Josh not only hated women, but hate everyone They think they are “better” than, especially those who approach “femininity”.

While the film really reminds us, the way Josh thinks is not only wrong, but it is so dead mistake.