The best Cary Grant’s Screwbal Comedy flows free

Carrie Grant is one of the greatest stories in Hollywood. Archibald Lech was born in Bristol, the United Kingdom, in 1904, he survived the poor and neglected childhood in which his mother was falsely declared (he was discovering that she was still alive until she was in his thirties) and went to become one of the greatest romantic men who produced Tinsellett. Grant appeared in more than 70 films during his career (“Gong Din”) in more than 70 films during his career (“Gonga Din”, to more than 70 films, starting with the adventures of boys (“Gong Din”, and the movie “” Female “during his career, starting from the adventures of children’s private (” Gonga Den “, and the movie (” Bad “with” “” Bad “. It was always its Debonair magic was always more suitable for light comedy, and it may have been better shown in one of his best script films: Howard Hawks’ 1940 classic “Girl Fride”, now flowing on Pluto TV.

“Girl Frdyy” was the third Grant’s collaboration with Howard Hawks after “Bringing Up Baby” (1938) and “Angels only has wings” (1939). The previous was also a spiral ball comedy, as it was associated with a grant with Catherine Hepburn, and this is a quick -minded mine. “It happened one night.” (1934), the first three films so far (the others “flew on the cuckoo” and “Silence of the Lambers”) to win the Five Oscar of the Five Oscar: Best Image, Director, Actress, Actress, Screenplay. Through the emergence of silent comedy stars in the silent era such as Charlie Chaplin, Laurel and Hardy in a wonderful way by upgrading their Steak with dialogue, but the new coordination presented to the public something more sophisticated and magic at a time when many people were still suffering from the effects of the great depression.

there are many Great screw comedy From the height of this type in the thirties and forties and “his girl on Friday” is truly one of the best in all ages. The number of “comedy comedy of marriage” is still, and still, as I confirm that it may be more than that for contemporary viewers thanks to its interesting freshness towards women in the workplace. Adapted from Ben Hecht and Charles Macarthur game on the stage “The Front Page” (which had already obtained a big version on the screen in 1931), the Hawks version has changed a major change in the newsroom’s farce to a completely new level: it is one of the two sexes on the main characters to create a battle of the entourage. Let’s take a closer look.

Hilde Johnson (Rosalind Russell) is the star correspondent for Al -Sabah newspaper, but she had enough journalistic lifestyle. She is ready to quit work, move from the big city to Albani, and settles quietly with Bruce Baldwin (Ralph Bellami), a strong but slow insurance seller. Before picking their train, they fall into the office to say goodbye to the old Hilde President, former husband Walter Burns (Carrie Grant), a conscience newspaper, not about to allow things so easily. Especially on the eve of a major story; The next day, a man named Earl Williams (John Kuwalan) will go to the gallows to shoot a black police officer.

Burns believes that Williams is innocent and that the execution is used to achieve political gains by the mayor (Clarence Collip) in order to influence a few voters in the upcoming city elections. Burns needs his best correspondent in the story, as he set out to persuade Hilde to stay and land in the great press precedent, and behind her to Way Beirwin and make sure that the city does not leave. While Hilde mocks the story of an elegant human angle that may save the life of Williams, the story of kicking from another degree when the prisoner escapes and finds his way to the press room. Williams hide in an office, and Hilde and Walter do their best to intimidate other reporters and the mayor, but can they break the story before they are arrested on charges of helping a convicted criminal?

By working from a disappeared scenario by Charles Leader (who has previously adapted “The Front Page”), Howard Hawks and gives his stars a lot of cooking space. Grant is simply wonderful because Walter Burns and his performance are so charming and funny that it is easy to forget that Burns is actually a monster-manipulation, two-sided, and to resort to doubtful means to get what he wants. Grant is the wonderful chemistry with Rosalind Russell, who was the “fifteenth option” of the studio for this role. It makes Hilde the perfect match for the Ater, the only person in the story capable of standing on his twisted plans. In the middle, Ralph Bilami is making some impressive works like a good intention, which is always several steps behind his fiancée and her previous fiancé.

I know that many younger film lovers tend to move away from old black and white films for fear that they will be very historians or boring. If you fall into this category and still read, be sure to make sure: “Its girl Friday” It is significantly forward thinking of a 85 -year -old movie, and it is so fast … so fast that people who enjoy watching translations in May are struggling to keep up with it. The owned comedy is synonymous with fast -paced potatoes and Howard Hawks wanted to take it to the limit with this. Preparing a complex system of microphones to capture interrelated dialogue, disturbed the movie Hawks along the 240 -word. This is about 100 more than the American Mediterranean English language. Such a Breakneck dialogue is not just a way to circumvent. The film was appointed in the world of journalism, the quick news, and the feverish delivery gives it crazy energy, as it leads the story to the point, to the point that it takes many scenes to arrest all the amazing criticism and amazing lines.

The film is transmitted to a clip preparing to the point that it is easy to overlook the dark story elements. In her heart, “Friday Girl” is a satire in a world in which the death of a man is extracted for political capital, and satirists are eager to rotate the story to suit their own agenda and the short interest of their readers. Even Walter and Hilde is not completely clean. While both sympathetic to Erl Williams’ ordeal, they are driven by the possibility of a professional making exclusively as much as they relate to saving his life.

There is no room for boredom in “GIRL FRIIY”, and he feels refreshing in a refreshing way in terms of gender roles. From the moment Hilde entered the office, it has greatly shown it to the rest of the movie. She is equal in both Walter, and she is respected by her colleagues for reporters in the memory newsroom, and she suits her comfortably as one of the boys without prejudice to her femininity. Other men know that it is the best and is happy to admit it. Whether this is a realistic portrayal or not, it is another conversation, but it is rare for the oldest Hollywood movie that a woman can only do work as well as a man, but it may be better. Check it yourself on Pluto TV.