The 5 biggest box office winners in the summer of 2025

The summer movie season is officially behind us. Although he may not feel that he falls in most of the United States, the industry as a whole is ready for a new start, With the box office holiday at the box office This indicates changing Hollywood seasons. It also crowned an unequal part of the year for the theatrical side of the work, with its highest levels in the highlands and low declines. This is, unfortunately, the way it was largely in the era of the epidemic: it cannot be predicted and filled with valleys between the peaks.

Summer 2025 was no exception. Public summer box office failed (with a wide margin) to break the brand of $ 4 billion Despite early expectations, the opposite. Whether it is, there are several reasons to celebrate it. With the presence of many excessive films in performance against expectations, and the films that were to go directly to the live broadcast of gangs in theaters, and the openness of new roads, it has extended many branches of optimism in the future over the past few months.

While we go to the fall, we will look back at the summer box office and break the five largest winners of this season. We will not discuss individual films as much as we will talk about the largest winners in a more general sense – from studios that offer a surprising return to the types that lead the way when everything else fails. Let’s dive.

If there is an individual winner this summer, it is possible that Imax. This coordination has been present for decades, but in the era of the epidemic, the “updated” nature of the film led to a fewer people who still go regularly to movies to find outstanding experiences. This summer was not different, as the likes of “Mission: Impossible – The Final Reckoning” and “F1” and even “weapons” all achieved a lot of additional money thanks to the people who pay to watch these films in Imax.

But it is important to note that it is no longer only Imax, With distinct formats such as Dolby Cinema It continuously increasing its share. An example of this: “Jorani Global Gum” cannot be secured for the IMAX version, but Cinema Dolby represents a large part of the aesthetics of the movie. There are other distinctive formats that also gain traction, including Cinemark XD and 4DX.

All of these formats are increasingly common with people who take everything “seeing on the largest possible screen” seriously. IMAX can make up to 20 % of the total box office for some films, which is a big deal. While fewer people go to movies, the fact that these most expensive and distinctive experiences are thrived are a positive sign. Premium may be the dominant future of the exhibition, and this summer really helped to consolidate it as a reality. IMAX and other companies that enter this space greatly wins.

Disney has a 15 -year richness – who dates back to Tim Burton “Alice in Wonderland” from Tim Burton – by reshaping classics from the animated film library. Although this is the case for the Mouse House in 2025, this is the year in which the direction of a new edition directly extended beyond the walls of one studio, where Universal released a live movement on “How to Training Draneen” this summer. It turns out, this is a play that others can also perform.

While Disney He suffered from a huge imbalance with “Snow White” ($ 205 million worldwide) Earlier this year, the studio recovered significantly with a new edition “Lilo & Stitch”, which stands as only one billion dollars from the Hollywood Studio In 2025 until now. With $ 1.03 billion worldwide, the film is ranked second after the success of the Chinese animation shattering “Nezha 2” ($ 2.1 billion) at the 2025 global box office. It goes without saying that Disney will not stop with these re -formation operations any time soon, as “Lilo & Stitch 2” has already been announced.

But then, there is “how to train your drank”. With the return of the original director Dean Deblois, echo the new version with both new and old fans. It continued to get $ 630 million worldwide, with more than 58 % of this amount coming from abroad. This privilege is very popular, and Universal believes that it can be transmitted from animation to direct work successfully, which it has. Again, continued now in business.

Otherwise, these reinstalling operations are good to work, and it is only a matter of time before other studios in the broth train as well. In fact, as much as some people feel that the full practice of reformulating moving visits in direct work is creative bankruptcy, there is undoubtedly a crowd of crowd to watch these films, at least when implementing them properly. Ultimately, these big films won this summer by making their fans properly.

When the Covid-19 pandemic arrived in 2020, it raised the industry as we know it. Theaters were closed all over the world for several consecutive months, which generally leads to Hollywood to double down, if not three times, on the future broadcast. Since then, things have been rationalized a little, as studios are trying to find a balance between offering their broadcasting sections while spending at the box office. But the summer of 2025 helped to consolidate one invincible fact: the large direct films to residency simply are no longer logical.

“Lilo & Schitch” was not the largest movie in the summer, but was also already conceived as Disney+ Exclusive before changing Disney wisely. The studio did the same for “Freakier Frown”, which will now be issued at $ 140 million at the global box office for a sub -budget of $ 50 million. And not to return in time, however The “Moana 2” ($ 1.05 billion) and “Alien: Romulus” ($ 350 million) were huge strikes This has similarly turned from being direct titles to hitting theaters first. Style develops.

Fortunately, it’s not only Disney. Warner bros. Exactly the same with “Final Lines”, which achieved $ 301 million worldwide, Prepare another supplement in a long -term concession. Also, it is from the highest to a large extent to the property until now, and not for nothing, since it has been heading in the most viewed plans on HBO Max- which means that his box office, if any, helped only increase his profile when broadcast. Even “Kpop Demon Hunters” from Netflix achieved $ 19 million and topped the box office With only two days operation to help out of the summer, this film was already available on signs for several months.

These films sent a reference to this industry: making a big movie like this and sending it directly to the broadcast service.

Not every horror movie expels it from the garden. Certainly, 2025 witnessed its fair share of disappointments in this section, as BlumHouse is very presented like “Wolf Man” and “M3GAN 2.0” bombing against high expectations. But the summer season again proved that terror is the most reliable type of box office, even with the presence and landing in everything.

Sony successfully brought a coma concession from the dead with “28 years”, which achieved $ 150 million worldwide and has already a “The Bone Temple” supplement, scheduled for theaters next January. Then there are the “final blood lines” mentioned above, which are second after “sinners” of Ryan Koger (366 million dollars all over the world) as much as explicit horror films in 2025. To what degree is once considered “global Jurassic birth”, and it retracts 856 million global horror, and this is also important. Dinosaurs Eat a snack on people and mutant monsters, at least by stirring up to skip for a PG-13 crowd. The audience continues to eat it.

Then there is a phenomenon of “weapons” of Zach Craigger, which reaches 240 million dollars worldwide, until this lines, tops three of the first four weekends in theaters. Not to mention specialized versions such as “Jaws”, the clown in the corn field “, or” Shin Godzilla “4K, which helped remove the hard -line fans of another type of type. Even a mixed imbalance like “I know what I did last summer” It was quietly withdrawn nearly $ 65 million in the world for a reasonable budget of $ 18 million.

Since the superheroes are struggling more and more at the box officeThe industry is looking for answers to buy the future. Although the films they love do not always strike, horror lovers are still among the most hiding pioneers there. You meet them well, and they will gently reward you.

Disney may have achieved the largest amount of money from any studio at the local box office this summer, but there is no doubt that Warner Bros. She appeared in the introduction when taking the full picture in mind. As we mentioned, he had huge horror strokes, with “final blood lines” that start summer with a stir and continue to get more than $ 300 million worldwide. “Weapons” are now preparing for the same to approximately $ 300 million, more than 200 million dollars when everything is said and done – this is just a tip of the iceberg.

“Superman” has also made more than $ 600 million worldwide and helped ensure that the world’s new world works. Along the way, all MARVEL Cinematic Universe films have exceeded this year, including “Captain America: Brave New World” ($ 415 million), “Thunderbolts*” ($ 382 million), and “The Fantastic Four: First Steps” ($ 508 million). Not only that, WB also scored the largest original theatrical success for 2025 with “F1”, “F1”. Who is currently sitting at $ 614 million worldwide. Yes, it’s Apple production, but WB dealt with distribution, and safe to say, this was a wise step for all concerned.

Although Disney was issued at the front of the summer box office thanks to “Lilo & Stitch”, “Elio” ($ 153 million worldwide) and “Thunderbolts*” complicated matters. Meanwhile, Warner Bruce was holding a thousand thousand for the summer season, which compensates for a high -level imbalance earlier in the year, such as “Mickey 17” and “The Alto Knights”. WB Mike De Luca and PAM ABDY films got some job security, to make sure.

The international box office may not fully recover from the epidemicBut WB has found a profitable strategy that includes original films, budgets of different sizes and films made by a variety of directors. No one did that better this summer.