Sylvester Stallone believes that one of his failures is an introduction to the King of Tolsa to Taylor Sheridan

When we discuss the failure of Hollywood, it is important to emphasize that the term “confusion” has nothing to do with the quality of the movie. It is strictly related to the extreme financial failure of the film. Francis Ford Coppola “one of the heart” It has been a tremendous failure, but after more than 40 years have passed, many now consider it as a technical victory (something we must take into account while we are away from the “Migalopolis” in 2024). Brian de Palma “War losses” It was an expensive bomb for the legendary director, but the film received great reviews at that time and still stands as one of the greatest Vietnam war films ever. While Michael Lehman “Hudson Hook” It may have affected Bruce Willis’s commercial reputation, but people with good taste have become aware of his chaotic genius.

When a movie outside the series fails, my initial instinct is to find a way to steal it, even if it is a little short technically. The world is a better place for failures such as “Town & Country”, “Cutthroat Island” and “Jupiter Ascending”. So, when I learned that Sylvester Stallone was recently released to one of the gangsters who were disparaged, he was floundering at the forefront of his role in the role of Dwight Manfredi in the movie that Taylor Sheridan invented. Paramont Plus series “Tulsa King” I felt excitement. It is not an ideal movie in any way, but the movie “OSCAR” by John Landes has an elegant spiral spirit and a lot of wonderful shows such as Tim Curry, Don Ameich and Marisa Tommy. I did not see the relationship completely, but Stallone was doing all kinds of doubtful links recently; At least this will highlight a forgotten movie.

Unfortunately, he did not mean “Oscar”.

Another term that is used a lot as condemnation is a “new edition”. Whenever a proposed reproduction of any movie is announced, whether successful or failed, people who love grumbling from Hollywood’s lack of originality spread their wide swords. Soon they forget that some of the greatest films ever – such as “His Girl Fried” by Hawks, and “The Thing” by John Carpenter, David Kronnberg “Fly” Either – it is to re -make. Sometimes there is a valid reason for unresolved skepticism, if not explicitly stinging criticism, for some reproduction operations. When Brett Ratner, who is accused of sexual harassment (known to be talent), fell into a second conflict with the movie “The Red Dragon” by Thomas Harris, which Michael Man has already turned into a classic thriller name “Manhunter”, it was correct to assume that a movie Totally free of value was on his way.

When the first novelist Stephen Kai collaborated with Sylves Stallone to reproduce the classic British gang movie “Get Carter” by Mike Hodges, it was somewhat difficult.

Immediately, we knew that it is better to expect a dirty revenge story equally with the original version, which features an unforgettable scene where Michael Caen walks with a rifle and he is completely naked with a possible striker in the street in front of him. From his apartment. Hodges was a articulated sandwich of bold crime cinema in the 1970s. The new version of Hollywood was not like the same difficult (although the scenario written by David Makina, author of the book “American History X” was preaching some hope).

There was also the issue of the film production company. Franchise Pictures, owned by the dry cleaning worker, Elie Samaha, was famous for financing vanity projects for the fading stars. When “Get Carter” was announced, the company was already a joke because it flooded large cash in the Santalamia dream project of John Travolta, adapted from the science fiction novel by Battlefield Earth (confusion, which is also an absolute abomination)). His Eminence was fascinated by Bastalon, and therefore he could support him in any creative conflicts. (Sulay is a firm scenario reformer, not always for the better.)

So, how did it end up, and in what way it is an introduction to the movie “Tulsa King?”

The best said about the movie “Get Carter” for Kay is that it is literally steeped in the air. The events of the film are located in Seattle, Washington, where it feels rain and cold in the city in a way that only a few films have taken. This is something. It is also worth noting that Mickey Rork threatening to be a corrupt gang leg on the top in a fight with Stallone.

Unfortunately, Kai decided to directly construct directly by choosing Michael Kane in the role of a tanned shark and made the composer Tyler Bates mimic the outcome of the unique Roy Bod. These elements only remind the viewer that he does not watch Hodges, as a result, hinders the efforts of the new movie to distinguish itself. The worst of all is that there is a happy end that contradicts the basic nihilism of the story.

The budget for “Get Carter” was $ 63.6 million, but achieved great success as a total of 19.4 million dollars worldwide. The weak local show was a strong blow to the Stallone representative because it was internationally funded. Although “Cop Land” by James Mandeld After re -exciting critics’ interest in the profession of Sulay three years ago, they largely wrote the new version as a pale imitation that has a significantly better movie.

Where is the “Tolsa King” worker here? According to Stalon on his Instagram account:

“It is interesting that 25 years ago I was acting in one of my best films, the Get Carter movie that was underestimated, and now that I looked at him again, it seems that I was preparing myself in a subconscious to play the role of Dwight Manfredi in TULSA King.” After passing 25 years old, let’s call it just an introduction! “

The clear similarity is that Carter and Manfredi are two fish outside the water that shakes cities that they do not know about their brutal style, which is uncompromising in the practice of illegal actions. But while Manfredi is looking to consolidate his roots and build in Tolsa, Carter simply wants revenge for the killing of his brother and skipping the city (even if he left him a man targeting the rest of his life). If you haven’t seen the movie “Get Carter”, the best I can say is that it is not “Rhinestone” or “Stop! Or My Mom Will Shoot”. You will not regret watching it, but I doubt that it will deepen your appreciation for “Tulsa King”.