Stephen Spielberg says that the jaws were made for one simple reason

“Jaws” is one of those films that has a halo of fate on this topic. The movie has become very successful, influential and beloved It is impossible to imagine a world without it. When it comes to the “jaws”, it seems to somehow, somehow, the movie was always made. What raises irony is that, 51 years ago, this was not an opinion that almost any person participating in making “jaws”, including director Stephen Spielberg himself. First of all, the possibility of making a major animated image from Peter Bencheli’s novel seems to be a hard source for people even before the cameras rolled, as many directors passed the project before the appointment of Spielberg. Some of them left for reasons related to creative differences, but others indicated how difficult it is to capture the story of the book in the movie. After all, how he convinced an audience of the authenticity of the story of three men chasing a large, fatal white shark, due to the traditional wisdom of Hollywood in 1974, either the shark rises laughing (because the use of real sharks was not possible) or that the sea would look very fake (due to the shooting of the tank).

Spielberg, Hot Off, the shooting of Richard Mathson, a “duel” on the real desert roads, It is assumed that he can withdraw the “jaws” photography on the open ocean with a mechanical penny. Certainly, the ambition of the young director has turned into arrogance, and the “jaws” have become an exchange of release due to its disruption in production problems. While these issues were well documentedThe issue of how production was able to overcome these difficulties that have been discussed less. As part of the fiftieth anniversary celebrations of this year, the Oscar: The Exh force on September 14 in Los Angeles, and Mr. Spielberg was on hand on the day of a special press inspection to open the exhibition and present some memories in the movie. During his speech, Spielberg revealed that “Jaws” arrived in theaters for one simple reason: “Nobody wants to stop.” This may seem clear, but in filmmaking – or any task in life, really – it is a mixture of emotion and perseverance that makes a big difference.

Between many articles, interviews, documentary films and more on making “jaws”, most people know that filming the movie, Especially the third chapter, which was placed on the Orca in the center of the ocean, was not a picnic. Although many members of the team and the crew – especially Spielberg – talked about the difficulty of the experience, it was discussed less how production was very close to closing and canceling good as a result. As Spielberg also remembers during the press event, the film had all the reasons for its closure, but it was not simply because everyone refused to quit smoking, including itself. “I was not really ready to bear the amount of obstacles that were thrown on our way,” he said. “From the mother nature … my arrogance (that) could take the Hollywood crew, go 12 miles to the Atlantic Ocean, and film a full movie with a mechanical shark.” “I thought this would go swimming. I had no idea that the second that tempts the mother nature and the fate of temptation, everything begins to conspire against you and us.” It did not stop there. As he explained:

“What I read and what was proposed by the type of exhibition was: This was a real exercise in arrogance and sterility. But (it was made) because we all never wanted to take off, and this was the complete reason that we finished the movie. It was shown on the movie, and when we wanted it, and hurt that day, an opportunity to heat it, and then, it has never been stopped in the schedule.

As Spielberg continues, explain how simple aspects such as keeping a snapshot of unwanted things and turning the camera position to frame the gas elements became absolute routine when shooting on the ocean. During the filming of the “jaws”, there were often sprayed sailboats into a frame, causing a discussion about whether it was better to wait for them, or save time by changing the size of the lens on the camera to get a more strict shot (that would transfer the selected appearance of the film), or capture the move of transporting many of the many productive boats. When one looks at all the different logistical services involved in making “jaws”, it is surprising that this is at all, you don’t care about the holidays.

One of the main obstacles facing “jaws” was something that our meters considers to be fierce: stability. In fact, the ocean movement that the staff had to bear over the days of the shooting for hours on a timetable that continued to increase means that every person in production got the sea roundabout. As Spielberg explained, this was the least -time exit in the middle of the ocean and more with the long periods of stopping that production suffered when the shooting conditions were bad:

“So most of the time we just waited. People played cards, and many people vomit because they were the ocean. I haven’t seen much vomiting in my life.

Spielberg was not only concerned about himself, his movie, or studio pressures, too, but he was also about his crew’s life and well -being. As he explained, it was not a secondary result of an endless photography (and it is difficult to endless) sure of when it will end:

“One of the biggest questions kept by the crew that the crew kept, and every week I had five or six people who came to me to say,” I have children, I have a Almighty. I did not see them, I did not see my family. I did not know when we were wrapping up to two weeks before we wrapped in Karam Martha.

In the movie Laurent Bouzero, “Making the Jaw”, the star Richard Drivus is traveling on how to deliberately remain in Karam Martha for fear of his crew in the ocean after its completion, and the above -mentioned remembrance helps in the interpretation of Paranoya Penberg and the kneeling of people through this experience. Nevertheless, shortly, and certainly throughout these years, Spielberg realized that something unusual had happened between him and his crew until the movie ends:

“The friendship that occurs when you try to survive.

“Jaws” is one of the purest cinematic expressions of human perseverance and the euphoria of survival, not by chance. In some way, the people who made the “jaws” had to live through it, and their experience was ever immortalized for us to participate.