Stephen Spielberg borrowed the wonderful moment of Alfred Hitchcock

Roy Chader Martin Brody is the ideal movie hero in the seventies of the last century. He is not a classic handsome, but his frizzy face tells the story of a hard winter as a policeman in New York City. This face, which is uncomfortable with the Atlantic Ocean on a lazy summer day; It is the face of a man who knows what the rest of the beach’s pioneers do not do, and that there is a shark lying in the water that you swore on. Because Brody agreed to the commitment of calm regarding the presence of the shark at the request of the mayor obsessed with trade, it is severe on this day.

Spielberg connects us directly to the Broody Mentality with the Altman-Squei sequence that uses interfering dialogue to obtain our guard. As Al -Jazeera Police Chief, Brody is slightly ignored by the locals who are looking for preferences or just annoying (“This is some of the bad hat, Harry”) while interacting with every screaming and optical homosexuality. Spielberg bothers us several times, and intensifies our anxiety in a bad way by placing a sticky dog ​​and a large woman in the water. How can a shark resist any?

We know it is coming. We do not know any of the qualified warm lunch meals that will be devour. Spielberg plays a little jazz here. Broody is a little sacrifice, on top of the young and old beach pioneers like Jeff Jeffrez of sunlight. But Spielberg transfers views brilliantly. We are watching Brody Watch. After a while, we appear that he worked on something. Perhaps the mayor was right.

Then it happens. The poor Alex Kintner, whose mother was worried about his harsh fingers, becomes a little. Blood heater (which I did not see as a child because I grew up on the Betamax version of the ABC network) raises Skyward. After that, after a quick shot from people who interact with the attack, Spielberg cuts from the shark point where Alex Gorgles screams.

Then Spielberg delivers Dolly enlargement (A technique that includes pushing the camera forward while zooming as well, which creates an unwanted effect).

This is the honor of Spielberg for “Vertigo”, but, like many Cinephiles of my life, I have never seen anything like him before. I couldn’t identify technology at an early age, but I am sure that hell might feel it. Everything goes on both sides of Broody at this moment. He betrayed his community. Once Mrs. Kintner reprimanded to kill her son, we need to see a decent man, a decent man, he recovered himself.

This is the direct line from Hitchcock to Spielberg. It is an honor and one band. And when you treat this at an early age, it transmits a sense of aesthetic development. Will your children in the nightmare to your room in the middle of the night and you are unhappy with security? This is possible. But this is the gift of movies. Taste it. (Watch this A detailed collapse with love From the aforementioned sequence.)