Robert Redford did not get the graduate role of Dustin Hoffman for a honest reason

Whenever we lose another great industry, you will always hear that people say that there will be no other person like them. This can be said ten times for idealism Robert Redford, who died at the age of 89. The beloved actor leaves behind a wealth of great works with roles in Films that define the generation such as “Butch Cassidy and the Sundance Kid”, “All The President’s Men”, “Three Days of Condor”, and “The Sting”. Redford also named from behind the camera with directing efforts such as “The Horse Whisper” and “Show Quiz Show” and the Oscar -winning local drama. When it comes to raising the voices of independent filmmakers from all over the world, Redford is certainly putting his mouth as his mouth was by establishing the Sandans Institute. The presence of one of these achievements in your CV will be an incredible honor.

Redford’s effect was wide, but no one can fully respond to the unique magic he possesses. It has made everything look very easy because it was a natural magic that can stimulate its way to the hearts and minds of the masses like anyone no one. There were very few doors, its streets, the physical cover, and the exceptional chosen taste in the wardrobe, that is, except for one. The film ended with the “graduate”, which was likely to have starred in Redford in the starring role instead of Dustin Hoffman.

While Charles Web’s novel was chosen in 1963 to convert it into a feature film, Redford made it clear so clearly that he wanted to be part of it. The possibilities became much larger when Nichols was attached, after Redford was already directed to produce Broadway from Neil Simon “barefoot”. Redford made a brave effort to the extent that he filmed a test on the screen with his co -star “Barefoot”, Candes Bergen. Unfortunately, his involvement will not come. If you were wondering what Redford could prevent the championship in one of the most abundant films in the 1960s, it has come with joy until it was so hot that it is not fully embodied by Benjamin Pradock. Nichols said at the same extent at the screening of the movie in 2003 (cross Vanity Fair):

I said, “You cannot play it. You can never play the loser. ”Redford said,“ What do you mean? And I said, “Well, have you ever taken out with a girl?” He said, “What do you mean?” He was not joking. “

Among all the reasons you refuse, you are told that you are So Hot that you cannot play convincingly like Benjamin is a good feather in your hat. It turns out that something like harmful compliments. Redford has such a innate flexibility of the roles it embodies, but not even he He could make himself less attractive. If you have seen the “graduate”, you will know exactly why he was wrong. In the Nichols screen adaptation in 1967, Benjamin has no idea what he wants to do in his life in the wake of graduation from college. It is something that many people can be associated with decades after the launch of the movie. But the position of Benjamin, with a phrase life, takes an unexpectedly exciting turn when Mrs. Robinson (Ann Pancroft), a family friend. Whenever he indulges in his secret meetings with the chopped, which determined a generation, the deeper drowned in a spiral of self -destruction that involves dating her daughter Eileen (Catherine Ross).

Hoffman is especially great in “the graduate” because of his ability to play on his childish sensitivities. When Mrs. Robinson Benjamin is badly seduced, comedy derives from the extent of his exposure in the idea that an elderly woman comes to him, from all people. Performing is flourishing because Hoffman can play such ADRIFT with the right amount of fine compassion. It makes his juvenile journey to one of the most comfortable buses in the history of unforgettable films. Redford was almost effective in this role, taking into account his first pioneering role on the screen that year, he saw him living in an apartment in New York City with free Jane Fonda (Jin Sax “barefoot”). It will be expected to see Robinson women come to him, because Duh, of course, will do it.

There is a Farhan paradox in Redford that feels refusal to refuse because it has not been rejected at all for a date. He was a decisive figure in Hollywood history. The masculine existence was defined by his ability to be incredibly attractive and gentleman. Redford is the reputation of magic. Just to give you an idea of ​​his quality in maintaining his tumultuous behavior, Redford was 82 when the “Old Man and the Gun” thief played. He spends a large part of the Wooing Sissy Spacek movie and the audience with the young soul of a 20 -year -old child. Although Redford will not be the final movie, it is a suitable organizing process for a profession as one of the most important actors who lived ever.

“The graduate” is currently flowing for Kanobi.