Pta’s Action-Comedy-thethriller is the best movie for 2025

Severe politician, dark funny, full of exciting car chases and deaf fire, “one battle after another” is not similar to anything Paul Thomas Anderson has ever done. Hell, unlike anything that any big studio has done long ago. The fact that it is in its current form – as a large budget film, with a great movie star in the lead – is a type of miracle of modern films. The “Battle of Other”, which was filmed in Vistavision by Anderson and Michael Bowman, evokes very modern pictures-children in cages playing with tin blankets, and the border wall l 3.

Anderson does not withdraw any punches here, and does not preach. Instead, he formulates the type of film that may be more present in the late 1960s or in the early 1970s, when studios seized the opportunity to allow movie makers to run with personal expression before he takes impurities and the box office return has become the final lines. Will this type of movie return with a modern audience accustomed to the homogeneous decline that the spoon feeds? I don’t know, and this is not really my anxiety. All I know is that “one battle after another” is the best movie for this year.

Inspired by the novel Thomacon “Vineland” (in press notes, Anderson says he “stole the parts (from the book) with which he resonated” with the blessing of Pynchon), “one battle” revolves around the revolutionaries who saw time through their fingers like a lot of water. It has been trampled in the future only in dirt. “Everyone knows that the war has ended, and everyone knows that good men have lost,” Low, Lionard Cohen. One of these revolutionaries finds himself a stoning of his mind and watching movies about more successful revolutionaries than the 1960s. What will happen if something suddenly brought it out of its astonishment?

One of the most interesting things about “one battle after another” is how Anderson draws a picture of a desperate, dark and cheerful world. Then again, this is also the world in which we currently live. The prevailing feeling of some unavoidable death and repression is attached to everything, however, the film somehow managed to be light and funny funny on multiple occasions. Only one example: Anderson proves that the powerful white superiority worship apparently runs the country behind the scenes. Very dark and worse! But they call themselves with the joy of the Adventures Club for Christmas, and when they meet to attend the meetings, they announce loudly “Hail Saint Nick!”

With the start of “One Battle”, we meet with the explosive expert Bat (Leonardo DiCaprio), who works with a revolutionary underground gang known as the French 75. Beche is crazy from his revolutionary colleague Berdevia Beverly Hills, who was played with almost frightening intensity by Teyana Taylor, and two of them are involved in several actions of all home terrorists in the name Fallen. Perfidia also draws the attention of Colonel Stephen J. Lukio, a racist military man who turns this black fiery woman into a kind of pagan being of lust and distorted desire. Lockjaw also played, as played by Sean Bin Mazzal and Mandali, one of the most unforgettable bad guys-a package of self-hatred, nervous energy and self-balance. It works like a type of orchid, and moves fully from instinct and self -closure. There is no single recovery quality for the character, and Penn was not more renewable (on the screen, at least) than it is here.

Things reach her head when she becomes a pregnant Pervie and generates a daughter. Initially, she tries to start a family with Bat and her new child, but while she loves Pat clearly and cherishes the child, Perfidia feels jealous of the infant and it seems that she does not want to be a mother. After the burglary of the structure, it is very mistaken, as members of France 75 scattered on the wind, with Perfidia disappeared and the assumption of the new Bob Ferguson’s new identity and his daughter, Wella with him.

This opening is fully unveiled from “one battle after another” with electrical and narrow energy that made me heat in my seat, with the help of the musical result of Johnny Greenwood. Everything in these opening preparation scenes feels an incredibly feverish phrase. Increased by Anderson with an exciting car chase sequence and a wave of what is just what will come-such as “MAX: Fury Road” “Battle One Battle” in the end becomes a scene of length chases, and she did not give up, and toured her time for 162 minutes in eye flash.

After this opening, a “one battle” jumps to the front of 16 years. Wella is now a teenager, the newcomer Chis Infiniti plays, which is something of revelation here. Will will spend a large part of the movie in danger, which means that Infiniti should play a role in a state of panic and almost fixed. This is not easy, however it does so with a natural blessing that it is great, as well as later moments when Wella begins to fight.

As for Pop, it is the definition of fatigue. Dicaprio is always great when it becomes funny in a sad and compassionate way (see: “Wall Street” and “Once in Hollywood”), Bob playing a man who has a good battle, but now he cannot remember where hell is half the time. DiCaprio is constantly Farhan here, wandering the bathroom and it appears reasonable. He spends his days smoking and gets daytime fall, which turned out to be a big problem when Lukegao returns to his life and turns everything upside down, which exposes Wella in a serious danger.

Bob suddenly must resort to his old revolutionary network underground for help, but his brain is so fried that he cannot remember the secret passwords required to get the ball. Fortunately, he has the help of karate coach Sergio, who is playing a scene to steal the scene, cool Benissio del Toro. Sergio has his own underground secrets, and he is happy to help Bob if this means adhering to the fascist government that sends fake demonstrators to prepare violence in the streets.

As a director, Anderson is a modern master, and I loved or loved almost all of his films yet (the only title that I do not have much is “Hard Eight”, “Sydney”). It is a director who is clearly affected by the approval of the films who grew up as they watched – Robert Altman and Martin Scorsese in particular. It creates difficult films, which depend on adults that are roughly competing with everything else in The Multiplex currently, a fact that has become more realistic because modern Hollywood product has grown increasingly and inspiring. With “one battle after another”, do something really amazing. I don’t know exactly if I will announce this Anderson better The film, but it took an incredibly big swing here, was able to formulate an unusual political movie while he was also a crowd of crowd. These two things feel that they should be at odds with each other, yet Anderson finds a way to make everything work smoothly.

“One battle after another” is not ashamed of the idea that the United States government has become repressive and comprehensive. It is not afraid to suggest that sometimes, there may be justified political violence, especially when all other asylum has failed. Anderson’s text indicates that the dark forces that cannot be stopped the strings forever behind the scenes at all times. This film often feels like a powder barrel ready to go out.

However, Anderson also maintains the film, constantly fun and funny. Almost everything is done by Dicaprio here is a majestic matter – a lengthy sequence where he quarrels with a revolutionary colleague on the phone that continues to build and build, and is affected more entertaining per second. Then there are movement scenes. I don’t think anyone will classify Anderson as a film director, but a “battle after another” is paid, loaded with shooting and a lengthy, lengthy conclusion of highly exciting cars that I felt that I would get out of my seat and start walking around the theater to calm hell. Is it allowed you to make films like this anymore, on this type of large size? I don’t know, but Paul Thomas Anderson did so. VIVA la Revolución.

/Film classification: 10 out of 10

“One battle after another” opens in theaters on September 26, 2025.