ORSON WELLES Classic is reinstalized in the worst possible way

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“The Magnificent Ambersons” sufficiently sufficient. 83 years ago, when RKO practiced their right to reduce the 131 minutes of Reedit Welles while the director in Brazil made the movie “All This is true” to support the policy of the good neighborhood of President Franklin de Roosevelt, the studio cut what might be a masterpiece on “Citizen Kane” up to 88 minutes. While there is a bone in the cut pieces, it also suffers from the tone container and a happy ending that is checked by Wales’s dark vision (which was in line with the novel The Trojington Kiosk that is based on the film). And worse than all of this, if the 131 -minute printing that was sent to Wales is not discovered in Brazil (which, which, that, that, that,,,,,,, and, that,,,, and,,, and, which,, Even with TCM research effortsIt seems increasingly likely with every year that passes), it’s the only version of the movie we will face at all because RKO has destroyed all the additional shots that she had in her cellar.

It is a cinematic tragedy, which will receive a harsh new chapter as Ai Company Showrunner is preparing to use destroyed technology and artistic fraudulent to bring WELLES vision. It is clear that we cannot say with certainty how Wales was feeling about this endeavor, but I believe that the man who told the director angry Henry Gagum, when he knew that the media pole Ted Turner had plans To color “Citizen Kane”, “ To not “let (Turner) distort my films with his”, he would hate the idea.

Given that the presentation pledge is a research project that will not be presented to the public, it can move forward with legal punishment. He works with Brian Rose, who for years, he tries to rebuild Wales pieces using physical means such as charcoal graphics and mini -set models. It is disappointing that Rose will participate in this bad exercise, but he will not be the first person from the apparent principle that took the approach “If you cannot overcome”, join AI. Also in this mix, Tom Klayef, a digital artist who used Amnesty International to help Robert Zimikis to realize “here” (although I discovered that artificial intelligence was used in the film late last year, my desire to defend it evaporated).

When this project was announced last week, it was not suddenly offset by protesting from film critics and historians around the world. However, it is worth the question: Given that Showrunner has a full text program as well as production graphics, expansion of the frame, and other notes created by Welles itself, can you enter into the delivery of the Holy Jassy Cup for the dreams of cinema pioneers?

The best tool available for Showrunner may be Robert L. Caringer, flour and research comprehensively “The Wonderful Ambersons: Reconstruction.” The author had enough materials at his disposal to raise the reader’s imagination, but although there was no mistake on his own, his work only increases the anger that we feel that deprivation of Wales’s vision. Get you only close enough.

In a statement Released Last week, the CEO of Showrunner Smugly SMGly suggested that Wales be on board because artificial intelligence is the future of the human existence that was the invention of cars, which records the wealthy Amberson family, for the world in the early twentieth century. In paying this idea, he quoted the protagonist, Eugene Morgan (played by Joseph Koten), who used to say this about the emergence of the era of cars:

“With every speed forward, it may be a step back in civilization.

We have seen people Patured for killing and suicide Through artificial intelligence, the works of the artists are torn in wholesale Without their permissionAnd Google’s search engine turns into a collection seller Inaccurate information. It is clear that the reasoning here is that artificial intelligence has arrived and will not go far, but I do not throw the towel yet. When more people feel disturbing their lives from the databases that calm down the resources that have appeared all over the world, they may rebel against this invasive technology.

As for the use of artificial intelligence to cling together in the original Wales vision of “The Magnificent Ambersons”, there are countless obstacles here. The facial replacement technology gallery is likely to be hateful like the improvements made on View the field for “The Wizard of Oz”. Simply, there is no way to capture the spirit of actors such as Cotton, Misheid’s Hans, Tim Holt and Ann Paxter. Their performance was persuaded by Wales, the director of the unparalleled actors (just read how he got a transcendent moment from Misheid). Then there is liberation. Yes, they have a load of notes and other resources to be casualties, but they have no Wales, who was an equal slave as soon as he reached the editorial room. It is almost certain that there were changes that no one had expected because of Wales was a unique genius.

Showrunner is already foolishly morally, given that it is Amnesty International, but I find it a special insult that it believes that it can train this technology Create Like Wales. Even if you reach something in the middle of the road, this is foolish. Art is a human pursuit. As Stephen Soderberg noticed in 2023, “I don’t have life intelligence. It was never suspended. Never was a meal to anyone who loved him. He was not afraid of walking late at night. He never felt insecure because someone went to high school with 20 years he became incredibly successful.”

Amen. Urson Wales will never be because we will never see the likes of this amazing mind again.