One thing unites some of the largest visits (volatility) and Warner Bruce, who was released in 2025

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With the Trump administration continued to attack diversity, fairness and integration policies in all fields, Hollywood was following a lawsuit (Although it is possible to discuss whether these DEI policies are already in place or not.). Rejection of projects that could be “controversial”, the studios are collectively to give priority to the four projects that could “be” liked to everyone “. Earlier this year, it was revealed that Pixar was also. The entire “Elio” was fully reformulated to remove its strange and Latin elements In an attempt to attract a larger audience. Only last week, in the aftermath of the killing of Charlie Kerk, Apple TV+ “The Savant”, a series of a woman who infiltrates the dispute servers to arrest violent extremists online and prevent them from assassinating and other terrorism. The star Jessica Shastein merged the decisionShedding light on this, unfortunately, was there countless Arms violence in America since the show began production, and the eyebrows link to see this decision at the same time Trump A threat to prosecute broadcasters Who does not do what he wants.

And because of The mysterious formulation is precisely Among the justifications provided by the studios, signs, and broadcasters, there is an area of ​​reasonable denial when people really notice that this plan seems terrible like serving food for the current situation of fear of the reverse reaction. John Oliver recently said in an episode of “in a episode”: “Giving your lunch money does not make him go far; it makes him return to hunger every time.”Last week tonight“discussion Jimmy Kimmel and FCC. “They will never stop.”

The general consensus seems to be that studios and networks are afraid of Applecart’s inconvenience, which is why it is very refreshing (and explicit approval) to the point that three of the best films per year all came from Warner Bruce. These are not “controversial” moments that can be quickly released to satisfy censorship abroad or the fans’ trick in the United States who are not aware of politics. No, when it comes to “Mickey 17”, “Singer” and “One Battle after Other”, these films cannot be consumed without recognizing the progressive political messages in the center.

Films that speak the truth to power

While “Mickey 17” was not the box office, it deserves to be, hosted by critics, and for a good reason. Director Pong John was clear from the beginning: The science fiction action comedy is A fun mirror holds our world. The villain, Kenneth Marshall (Mark Rovalo), is an unambiguous mixture for Eileon Musk and Donald Trump, and his red followers are repeating a certain realistic worship of the character. In essence, the film’s “human printing” technique is a brutal symbolism of the global work systems that workers treat as endless. But “Mickey 17” also dive into the depths of colonialism and the systematic abuse of indigenous societies – not only offered criticism, but the indictment, and the movie cannot be found without that message.

Meanwhile, Ryan Kogler’s “sinner” became the first real cinematic tyrant of 2025; Montaser’s celebration, flooded in the blood of black and resistance culture. It is located in a world of vampires and racist violence, as it never turns from his central question: Can freedom be really present in a system based on white excellence? Delrywi Lindo told me He did not see the movie terrifyingBut a provocation. As I am Book before when discussing “Singer”, “ White America loves to sell assimilation as liberation, but it has been re -persecuted. This system hurts me everyone … and the movie cannot be found without this message.

Then there is a battle after another, a cinematic barrel. like /Chris Evangesta said in the movie in its review 10/10“It is not ashamed of the idea that the United States government has become repressive and comprehensive (…) Do not be afraid to suggest that sometimes, there may be something that justifies political violence, especially when all other asylum has failed.” Paul Thomas Anderson does not pull punching. He gives them righteous anger. Film-Out announces white excellence camps for inhuman ice detention camps, and it is practically shouting that the American government (and the army) gives priority to power over people. “I feel that PTA calls for a lot of things trying to sweep under the carpet,” Tayna Taylor told Tayana Taylor. Associated Press. “This is what I respect. This really wakes up, shakes, and bake some S -like, you should shake the table.” The movie cannot be found without this message!

Hollywood needs to learn the correct messages from Warner Bruce. success

With the continuation of the entertainment industry An endless offer from “Newstalgia” Hoping that every drop of one last blood of the “well -known” IP stone will pressure the shareholders happy, there is a lesson that can learn and should be learned from Warner Bros. Insect 2025: Play it safe or cowardly from bad actors not only moral bankruptcy, but also does not help in the end result. Even “Superman”, dust from four cadres and socks lists released by Warner Bruce, which was issued in the capital/Marvel wars at the box office,, It is a pro -migrant movie proudly It was released at a time when many decision makers believe that they should follow the eggshell.

Reducing stories leads to “everyone’s attractiveness” into nice, predictable and inspiring films. “Play them safe” means telling the tired novels that focus on the same types of characters, and ignore the interesting and varied views that reflect the real world. We should press for bold, comprehensive and ready stories to bear the risks. We learn a lot about the world around us based on the stories that we have said to. As the Roger Ebert family indicated, the films are sympathy machines.

Try to satisfy people who mainly resist only progress. The narration of various stories is not afraid of calling the persecution is not a radical agenda; This is the way we enhance curiosity and association with people who lived a different life from our country. The box office does not lie – homogeneous content is not an interesting investment.

But the most important of money, if we leave fear dictating what the stories are listed, we lose everything that makes the story of the stories strong in the first place.





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