One of the best horror sequences ever is a free flow on Tubi

This article contains Spoilers For “strangers: prey at night.”

“The Strangers: Chapter 2” from Rene Harlene is now in theaters, but critics have been widely formed. /Raphael Motamaure movie is called the middle entrance in a proposed trilogy “error” In his reviewHowever, it is very nice. Not only did Harlene understand what makes strangers scary to start, but rather does not have confidence in deviations. Everything is illegal and lazy, but fortunately, there is already an excellent “strangers” supplement you can see for free (with ads) now on Tubi.

He was released to theaters after a decade after he was initially seen by Brian Bertino’s conquest of 2008, “The Strangers: Prey in Night” as an unnecessary horror sequel. Some critics praised “prey at night” because of its visual prosperityBut it was largely rejected compared to the most gear. Allow me to be the person who finally has the platform to say that he is not only the supplement of Johannes Roberts better From the original, it is one of the best havens in 2010. If you think I look crazy, imagine how I had to justify this situation myself again in 2018.

Instead of capturing the same thread thread from the original, “The Strangers: Prey in Night” follows a family that stops in a trailer garden isolated at night on its way to bring Kinsey (Baileee Madison), the exciting teenage daughter, to school to go to school. It initially follows the first movie agreements with the same fateful blow to the door, making it logical to consider BERTINO to participate in the script writing with Ben Katai. But “prey at night” moves wisely the bloody way that distinguishes it from most oblique sequences in some note ways.

The mysterious Tamara does not seem to appear to be at home, but the three disabled strangers known as Dollface (EMMA BelLomy), PIN-UP GIRL (Lea Encsin), and the man in the mask-to which I will refer to as SackHead to avoid confusion-where they want it. I find that it is pastures to unintentionally witness an entire family, which is inadvertently ringing the murderous dinner bell than a isolated couple. It is an emotionally broken hand, which unfortunately gathered by surviving at night. Roberts wisely deviates from the horror of the slow conquest of the Slasher Moody without losing an average chain of origin.

It also helps to show actors who are intelligently playing with a glimmer of characters under those masks that make them really feel the individual. SackHead is lost without some pop songs in the eighties of the last century to accompany his lengthy killings, and the gly girl likes to be infiltrated, and an intimate doll includes slaughtering her. The way you crawl slowly on Christina Hendricks with a knifeWhile Cindy still holds her daughter’s hand, it can be said that she makes an annoying, shocking early disappearance like the end of the first movie, if not more. It is when the closed Kinsey tears its walls and begins to contact the “mother” as the knife advances that this is a truly terrifying moment.

Another feather in the “Prey in Night’s” cover is elegance, with foggy night collections that you can already see, divide the Diopter shots, and long snap clouds. The Trailer Park is a fun killing stadium for Slasher, which provides many great opportunities for running, hiding and fighting – with its best piece as Lynchpin for the film.

“The Strangers: Prey in Night” is launched to a high degree when Big Brother Luke (“Thunderbolts*” Star Lewis Pullman) takes place in Park Park. Wash one of the switching dishes and neon lights with flashing colors. Only when you think Pin-UP Girl is about to get a decrease, Luke gets the upper hand with a golf club and a knife attacked. This is the place where “prey at night” is finally standing to the killers, and the movie as a result. the The battle of the ax that followed Between Luke and SackHead is condensed and heart, as Bonnie Tyler and Jim Steinman “Eclipse of the Heart” asserts their struggle in the complex.

“Prey in the night” is the rare concession of horror privilege that is not afraid to kill its cows in favor of what is logical to the story. We are conditional on the acceptance of strangers as indifferent killing machines that always get on the upper hand, making them more attractive when they start receiving a distorted taste for their roles. The last ten minutes of your credibility may push the damage that Sackhead can fade, but inserting consecutive visual signals to “Christine” for John Carpenter and Tob Hooper’s “The Texas Chain Saw Massacre” That was able to no Feel that Feel Cooty is definitely a point in favor of this Slasher.

“Al -Ghuran’a: prey at night” is currently flowing It is a basin.