One of the best documentaries (and most importantly) for 2025 is the seizure of HBO Max

With the start of the month of Pride in 2025, it is difficult to know how to feel. With news stories about the members of the United States government that pass the laws of anti -hymns or Promote anti -gay and gay feelings It appeared on the basis of approximately daily, and the clear response is that the strange people and their allies be higher than ever. But this is easier than doing it, especially when you think incidents The death of actor Jonathan Jose as a result of the alleged crime It is a blatant reminder that just the current act is still sufficient to kill strange people.

The question of how to live as a strange person, whether your life is under a microscope or not, lies in the heart of “Pee-WEe himself”. The documentary film, director Matt Wolf, on parts of the life and times of the late, should go without saying, Paul Robbins has been getting global praise since he clarified it at the Sandans Film Festival for this year, so it was expected that Warner Bruce, CEO of WBD David Zaslav and his system You may not know how to naming the broadcast serviceBut they are sure that HECK knows how to manipulate a marginalized society for their benefit. (I don’t think we have forgotten That “our knowledge means death” renewing a trick I was withdrawn for pride 2022.)

Of course, just because the filter was a calculated strategy that did not make “urination like itself” less influential and important than it is. For this reason, our pleasure is to see the film ranks among the top 10 HBO MAX TV programs as of June 4, 2025, as mentioned by by Letterol. (Once again, it is really a documentary advantage of two parts and not a series, but we will win the same.)

How to make an intimate documentary film about the artist who deliberately went out to preserve their personal lives outside the limelight? The famous Reubens spent longer to appear in talk shows, attend films, and even participate in other films (such as “Cheeych and Chong’s Next Film”, and tells Wolf documentary). His beloved man changes the ego, Pee-Wee Herman, instead of himself. In a piece that must be read for it eagleWolf revealed the greatest challenge to make the film-much less than its theme to talk about his sexual life and the life of love on the camera-because of the self-authentic need to maintain strict control over his novel at all times.

Therefore, instead of resisting the tide, Wolf brilliantly went with the flow and made Robbins to talk about himself the focus of the film as much as the actual events in his life. “Pee-Wee AS himself” also explains that it came from Robbins’s escape: as a gay man, who, through his acceptance, was proud and proud of as much as he could, he chose to return to “close” and avoid stories for any romantic type in order to preserve the audience’s eyes fixed in his career (and for a long time, for Pee-WE). And the two wives lost control of his narration? He was arrested either on a completely ridiculous or false floor that was not largely fed from homosexuality and suffered a lot for that.

I will not spoil the conclusion of the success of power in WOLF and Reubens about who is really responsible for the formation of “Pee-WEe as itself” (despite a fair warning, there is a strong opportunity that you will find yourself climbing a tear while the credits begin). I will simply say that Wolf succeeds in drawing a beautiful and sophisticated image of a unique spirit here, and thus allows Robins to transfer a last gift to the stranger and strangers who are proud of him in life.

As for the fact that Robbins did not live to watch the movie himself? Well, as I put Pee-Wee, “I shouldn’t see it, Doti. I have lived.”