One battle after another is the best film villain in 2025 (which is not close)

Live the revolution! These artica contains The main spoilers For “one battle after another.”

There may be something in the air these days, but in 2025 it was an incredible year for cinematography. Some have followed the super road, led by vampire Jack O’Connell, and his cheerful band of its Irish followers who dance in Ryan Koger, “Sin”, “The Charming Casting Little” (Emmy Madighan) in “Weapons”, which saw a suitability for terrorizing a whole community of children, and democratic entities. Luteor from Nicholas Holt and Ralph INESON on the big screen (although we suggest that Lewis Pullman’s Sentry/The Void in “Thunderbolts*” all made them overcome). Year “), and even Amok (” Mission: Impossible – The Final Reckoning “).

Whether it is a productive from real life that leaks into imagination or simply a group of timing, the past few months alone have given us a fixed series of anti -all timer … but “but”One battle after another“It may have been the best of it so far. Of course, it is that to a large extent he is the” most natural “naturally. Raccically) Colonel Stephen J

On the surface, Lockjaw only dead eyes … man. However, under it, disturbing psychology and hypocritical motives that lead all its work turns into a natural power that is unavoidable. From his need to join a white superior front (calling itself ridiculous “the adventurers club for Christmas”) to his inhumane desires in favor of Tayana Taylor, the reckless freedom Berdevia Bevera Beverly Hills for his single mission in the cinema. TRUE The bad guys in modern memory.

One does not necessarily have to deliver it to Sean Ben, To reformulate Mimi is knownBut we may exclude “one battle after another.” Writer/director Paul Thomas Anderson did not rise to this high level of praise Without reasonAnd his strange eye in the meeting plays a big role in his success. His latest movie won the headlines as his first collaboration with the star Leonardo DiCaprio, while Chis Infiniti is guaranteed to ensure the tanna prize after her performance that records the scene here. However, the role of Pennsylvania as Lockjaw, which provides fuel for this device incredibly well. There is no denial that the talented actor (although it is controversial) Its fair share of the roles of meat over the decades. Few, however, it can be compared to what it pulls here as the terrifying Lockjaw.

Penn has always had a talent in the original unimaginable models, but even barely scratching the surface of the number of layers that Lockjaw drinks without the story. His preliminary scene alone is an unforgettable and short summary of everything he represents, as Perfidia ignites a violent path through the migrant detention center and comes face to face with the responsible man. This was followed by a strange match, a psychological chess in which both the revolutionary and military man tried to exercise power over the other, and began facing a sexual charged that could drown the character even before he has the opportunity to make any additional effect. But with Anderson carefully modified from the tone of this scene and the exact understanding of Pennsylvania to what extent to pushing the envelope, this opening battle is adopting a strong basis that the rest of the text program benefits fully from moving forward.

From that point onwards, every Luxao appearance is practically practically Drops With threats and threats. We completely buy sexual obsession with Perfidia in the past – A real fetish is in many intolerance As much as we understand that racist animation and the deep insecurity he pays at the present time. It could have been easy for Pence to turn this villain into a complete caricature. Fortunately, he stopped this line and instead he finds a twisted feeling of humanity in the heart of a personality, in fact, simply desperate to agree from the worst people around it.

This may seem strange to the movie (Loving) based on the novel “Vineland” by Thomas Pinchon, but some cinema pioneers may go out of the reason Paul Thomas Anderson decided to focus on the individual as unpopular like Lukegao in the evil of this story. In theory, the entire director could have changed as he saw appropriate and reached any number of personal dodgers and behavioral features to achieve a similar emotional effect in the masses. Why risk isolating viewers with someone especially Out of this, which we first meet erection after they were arrested at gunpoint before engaging in more obscene activities?

Perhaps he had everything related to the policy that planted in “one battle after another.” This, after all, is a film depicting the revolutionaries who try to disrupt the government through any necessary means, imprisoning immigrants behind cages, riots that have been urging and exacerbated by factors that wear the mask in the state, and the white craftsmanship who hide in sight and withdraw the tendons from behind the curtain. In this light, how can the main opponent be anything other than what it is – the apparent incorporation of everything that appears, packed into a toxic and distinctive mentality, in one white male? It is not a coincidence that his anger be directed towards the young Wella, who occurred between the inheritance that her mother, Berfedeia (as he was twisted and abusive as it might be by bob sadness) and unwanted intolerance to her father’s biological father. If the various discussions conducted by the modern Ku Klux Klaan members do not explain enough, the entire final verb becomes a literal chase about any version of this country that will survive: one dictated by the fascists, or one re -imagined by the revolutionaries.

Many will remember Lukegao’s tense confrontation with Wella in the monastery, awaiting the results of the paternity test such as the tiger speed behind bars. Others will refer to its twisted dynamics with Perfidia after the mice were on their friends, and the flowers were advanced before the closed door was destroyed with the beating ram. But the remaining final image Lukego, which was invaded to death and wrapped in a body bag, is very distorted, but was eventually killed by his citizens (apparently) everything he wants, is a final paradox for the most unforgettable villain of the year.

“Battle after another” is now playing in theaters.