None of the studios approves theaters and studios about the reason for the decrease in public numbers

Hollywood hopes were high in the sky For summer films season 2025. Through three TentPoles Superhero (“Thunderbolts*,” Superman “and” The Fantastic Four: First Steps “), two of the re -operations of the sick life to stand for the beloved classic animals (” Lilo & Stitch “and” How To Dragon “), and Brad Pitt Racing Drama “F1: The Mild”, and Tom Cruise Adie to “Mather in”.

It is not the result of a nightmare, but it is a sad sign of the health of the cinema, as it decreased by a $ 7 million summer of the 3.67 dollar box office in 2024. How did this happen? For beginners, “Superman” hit James Gan Saqf “Superman” at the international level (and it appeared for the first time prematurely on the broadcast after a month theater race for the numbers juice flowing for the “peacemaker” for season 2), and the cinematic universe full of billions of countries (even when there are characters outside of great characters, and Heavily Fraantshel “. 2.0 “With the total global box office is connected to $ 39.1 million.

Is this a turning point for the theatrical exhibition? I confirm that what the masses aspire to in this unconfirmed turn are bold original visions of the most talented film makers who work today (as it is clear from the success of the box office fleeing in the “weapons” of Rayyan Koler, and Zach Cregger “weapons”), but most executives work in the major studios (Warneth brother brother. My work is Luka and Bubani. The exception here) is Ride-AR-DIE on IP privileges. Given that the “Glory of the Global Glory” has cleared $ 847 million worldwide this summer, there is a reason for the belief that this is the safest and most practical way to work.

This is, if there is a job as we know now. In 2025, the post -death summer, Hollywood ObserverPamela McClintock quotes from the “Best Executive Studio” believed to be the film industry, in many cases, chasing an audience that does not exist. “I am very tense for the future,” they explained. “There are all these studios and companies that make movies. I don’t think there are enough audience for them.”

Most of the studio heads are certainly not strongly agreed to this feeling. But let’s hear this unknown Exec. Is adventure from viewers with animated photo options?

We have ever drowned the broadcasting era in the media. Multiple transmission is not just a tax as before (when it was rare to devote more than one screen for a new version unless that is like great and pre -films), but this only because many films that would now receive a theatrical version are now sent directly to the broadcast. Likewise, there was once at a time when “Happy Gilmore 2” of Netflix was one of the biggest theatrical visits for this summer. until Spike Lee’s Account-ACCAIIID cash in a cash top 2 lower. It was shortened by Apple, taking into account that, as a kidnapping movie with Denzel Washington in the foreground, she could have easily done the main business on the big screen.

I can Ted Sarandus of Netflix has a firm interest in announcing the death of the theatrical exhibition, but it is full of it. This year, different groups of friends brought to the theater (where some of them had not been for some time) to see Bringing victories such as “sinners”, “The Phoenician Plan”, the “naked gun” and “weapons”. The houses were generally full of two -thirds, and people were screaming, and they wandered, and what these first -class directors had worked on. The bliss was.

The year 2020 was not so long that people could not return to love while going to the cinema again. If you feel “Lilo & Stitch” or “Jurassic World Rebrange” commercial disappointment, I will be legitimately worried. But people flocked to the things they are traveling traditionally. Frankly, I think studios should return to the taller theatrical windows. They only harm themselves by dealing with diversity as glorious stores. More than ever, many people want to get out of their home, drown in the horror of our world, and lose themselves in a movie – and if things break the way they threaten, this yearning for escape will only flourish during the next year.

It is clear that the era of digital filmmakers has allowed more people to expel animation in a short shock period. Unfortunately, most of these films look not noticeable, if not completely terrible – this applies to many studio versions. But if the studios will deal with theaters like Dream Palales again, you can see the latest films from great film makers and the main cinema stars, their fortunes may improve. The axis of the broadcast was a self -wound. Her liar is more like de Luca and Abi. The future of the theatrical exhibition should not be very dim.