Netflix wants to make KPOP Demon Hunters- This is why this is a bad idea

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Netflix tries to join the trend fraught with financial risks (but sometimes very successful) to convert the beloved animated films into bankruptcy and visually insulting. like Wrapping It was reported in July, Netflix sees an unprecedented success for the “KPOP Demon Hunters” and they are planning to benefit from it What could have been the largest Sony movie for this year. According to the report, Netflix refers to the film, directed by Maggie Kang and Chris Applehans about the Girl K-POP collection that lives in a double life as a devil hunter, such as “frozen”. Basically, Netflix sees a great value in this what Disney did in the 2013 highest profit movie, which has since become riding an entertainment garden and film concession with a TV show and more.

Among the “Kpop Demon Hunters” projects that Netflix thinks about its production, which is “music play, a live new edition, series, and of course, a pair of sequences to tour the” KPOP DENON HUNTERS “trilogy. A new edition of live movement, Wall Street Magazine They recently released their reports that the president of the Netflix movie, Dan Lin, “is thinking about a live version in the future.”

Certainly, there is still a very long way before we see any “KPOP devil fishermen” in any way, as the sign must determine a deal with Sony first before moving forward in anything. However, a new edition of direct work is a possibility, and this will be a terrible idea.

Stop dealing with direct work as the end of each cinema,

It does not make sense to have “KPOP devil fishermen” that has no meaning, either creatively or financially. For one, the movie is already The most formally watched Netflix movie in all timesExceed “red notification”. This means that a moving movie with a budget of about $ 100 million, and it has been monitored at least from the Stars of the A list (at least according to Hollywood standards) more than the direct work movie with at least twice of the budget that includes Dwayne Johnson and Ryan Reynolds in its crew. “KPOP Demon Hunters” has already proven the fallacy of a new edition, indicating that the original animated movie can outperform any living movie (Even saving lives). Surprisingly, a lyrical version of the movie topped the box office last weekend despite playing for only two days and appeared in a limited number of theaters (AMC theaters, the largest series in the world, refused to show it). Simply put, Hollywood was not ready for “KPOP Demon Hunters”, and she has no idea what to do with him.

The attempt to succeed in this film through a new version of this film will be a great understanding, which made this film work in the first place. Certainly, a new edition of direct work will almost require the A-List menu, a larger budget and a longer operation time for Netflix to justify it. This is despite the fact that the film was working in a small part of it because it allowed the animation of the film to avoid the trick of acting and determine the priorities of acting on known talents. The entire actors of Korean origin, while allowing different representatives to perform the sounds of speaking and singing “KPOP Demon Hunters” to avoid having to the amid sound of a wonderful singing for the known name.

Then there is a visual film style, which is an important reason for the movie’s attractiveness. It is clear that the film, produced by Sony Pictures Animation, is part of the last direction of films that come out in the aftermath of “Spider-Man: in the Spider-Verse” that takes place with the textures of 3D animation. In the case of “Devil’s fishermen”, the film makes something different in that it maintains the textures in the 3D instead of forming two -dimensional expressions on 3D models. This adds to the appearance of the film -inspired film, which will not be simply possible to repeat it in direct work. The closest thing to something “Scott Pilgrim Vs. The World” for Edgar Wright, but until then, you will lose more than you visually gain. Simply put, “KPOP Demon Hunters” is success because of what it is. Don’t try to change that, Netflix.





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