“Neflix for Ai” plans from Amazon to rebuild “Arson Welles Missing movie with SLOP

ORSON WELLES ‘1942 Wonderful Ambersons He has a complex heritage – considered all of the greatest films in all ages and complete chaos that witnessed the vision of the iconic director strangled by his studio and destroyed the original pieces. Somehow, artificial intelligence men decided that this is a sign of participation.

According to the Hollywood Reporter teamA Amazon Amazon International Organization called Showrunner, creators of broadcasting service that allows subscribers to create their own episodes of offers, planning to try to re -create the original film pieces of Wales, which are believed to be largely lost. What happened to the Wales version of Wonderful Ambersons It is the tragedy of Hollywood. Epic 131 minutes and follow -up to Citizen Kane It failed to resonate with the test fans, which led to the control of the studio in Tahrir and eventually reduced more than 40 minutes of the movie, Leave only 13 of 73 viewers that he did not touch.

To add insulting injury, studio also The negatives were burned Edited by Wales to reuse silver and store other movies. Wales maintained well documented notes on the movie, including the place plans that wanted to place the camera and how he wanted to look at the viewer. Even Wales had a re -shooting, which was cut by the studio, about 30 years after the truth, but never met, according to the 1992 biography.This is Urson Wales“

The use of artificial intelligence “to repeat” these shots does not feel like a way to reduce the tragedy. According to Thr, Showrunner plans to spend the next two years in an attempt to rebuild scenes that were lost in front of the studio scissors. According to what was stated, the company plans to reformulate some scenes with the direct actors and use artificial intelligence to counter the appearance of the original actors on the positions. This may be better than going to complete artificial intelligence; Nobody needs to see Joseph Cuton with six fingers.

Showrunner takes advantage of Brian Rose, the director who devoted himself to re -creation of lost tires, to lead this effort. Rose has previously used 3D modeling techniques and animation to rebuild parts of the movie The film’s artistic show was shown at the Free Library in Philadelphia. Now he will use his intensive notes for the project to re -create it with artificial intelligence, though Using artificial intelligence to preserve and restore movies Stay completely controversial.

The company will not market the final product because it is not possible – you could not get the rights of the movie from Discovery or Concord. “The goal is not a 43 -minute marketing, but to see them present in the world after 80 years of people asking,” Perhaps this was the best movie ever in its original shape. ” He told Hollywood Reporter.

The show efforts are far from the only attempt to restore Wales’s work; It is just that everyone wants the real thing. Director Joshua Grosberg was on a multi -year mission to track what he believed was the last current version of Wales’s original editing, which he transferred to Brazil, where Wales was apparently working during the editing process. The Hunt will be shown in the upcoming documentary.The Lost Print: ORSON WELLES The Magnificent Ambersons“While the director was tight about what he found, he was promising To provide “some answers regarding the fate of printing.”

Regarding what Wales will think about rebuilding artificial intelligence, well, he is a bit complicated. Its real estate recently A voice company gave permission to re -create its iconic voice Using artificial intelligence to tell stories, and the company is behind this effort Argue He agreed that “Urson Wales was a future.” But Wales was also criticizing the invasion of technology without interruption in our lives, and tells a 1972 documentary entitled “A shock in the future“Who says,” Our modern techniques have changed the degree of development beyond our dreams. But this technology has paid a heavy price. We live in the age of anxiety and the time of tension. With all our development, we are actually victims of our technological strengths. “This is definitely still a relevant feeling.