Michael Madsen’s legendary scene is still more terrifying after decades

When Quentin Tarantino appeared on the scene with a “dog tank” in 1992, he was He proudly wore his effects on his possession. Tarantino is a student on the screen as much as the creator of films for this, and he marries the cinematic language for violence in martial martial films with writing that depends on the American American American. All brands of the Tarantino movie were shown for the first time, such as selective soundtrack, non -linear story, and blood bucket. Even before the release of the movie, Hollywood myth He was confusing from the shining offered From the exit for the first time.

Tarantino had made a crime movie, but instead of being a group of a group that gathered to carry out the crime at its peak, it focused on the aftermath of this when six individuals working under the borrowed names – Mr. White (Harvey Kitel), Mr. Brown (Tim Root), and Mr. Even after an ambush by the police stole them.

As an audience, we learn a lot about these six men by watching how they reacted to this situation with great greatness, and almost immediately it is almost immediately that Mr. Blondi has not been seriously exploded. So by the time when a police officer connects and begins to torture him for pleasure, we are already at a state of high alert. We know that he is able to almost anything, but fear does not lie in graphic images, but the worrying acceptance that Mr. Blond will cut off the man’s ear without raising the heart rate, all of which were appointed to the Sargris song for the 1972 wheel “stuck in the middle with you.”

The terrifying event of the scene lies in the delicious road that dances MADSEN around the room while preparing to cut the ear of the officer Marvin Nash, which he plays fictional by the repeated Tarantino collaborators Kirk Balz. The strange calm that moves sharply contrasts with the brutality he appreciates. Just every second, the modest inconvenience offered, which wanders in Tarantino brilliantly against the audience.

The optimistic song is associated with sadistic violence to something very worrying. This is not only what is happening, it’s so how It happens, and TARANTINO pushes the intelligence of our imagination to Overdrive by pulling the camera away from Mr. Blonde while his slices of the ear. We do not see the special effects that fill the voids, and we are forced to perceive ourselves. It makes us an active participant in torture, and it is even a decision Frequently troubled horror myths such as Weiss Cravin and Rick Baker.

Objectively Good Displayed in the performance of MadSen. There is a very informal thing about how he dealt with slaughtering it. His comfortable pillar appears to be more like a father at a wedding party more than a criminal in cold blood, which preserves the film on the basis of reality so that the viewers struggle to put a safe wall for the distance “This is not real”, as shown in horror movies. Tarantino took the “Singin” sequence in “A Clockwork Orange” and gave him an average line of the nineties. In turn, Mr. Blond lated the foundation La Patrick Batman at “American Psycho”, Now viewers know that they never trust a happy song if the soundtrack of a man with a blade in his hand.