Megadoc Trailer reminds me of why I hate Hollywood

by Dru diet
| Published 9 seconds ago

Francis Ford Coppola is responsible for many modern films scene. His sperm in the 1970s changed the course of the history of cinema. Regardless of your opinion of his production outside these mutual in the game, you have to appreciate his commitment to his artistic vision. This was definitely clear last year MegalopolisA scientific/fictional fantasy epic that has left many viewers confused, irritated and completely rejected the Copola passion project.

Of course, this means that I love somewhat Megalopolis. This also means that I am excited MigadocBehind the scenes look at the creation of Coppola. Although there is a short joke trailer available at the present time (which you can see below), it immediately reminded me of several reasons because I really hate the Hollywood machine at the present time.

The great creators are struggling

https://www.youtube.com/watch?

You can discuss modern features Francis Ford Coppola As a film director, but there is no discussion when it comes to the seismic capabilities carried by the new Coppola. It is an important origin in the world of cinema and the projects that are stimulated by the activation of both fans and studio producers.

However, in an industry that continues to imitate the constantly expanded cowards for all capitalism, the film studios avoids the point that they will not seize the opportunity on the sun that rises tomorrow unless the algorithm will tell them that. As such, creative power such as Francis Ford Coppola cannot get financing or even support for a movie like Megalopolis Because it is not some of the tested clicks that were tested, which came out of the assembly line.

It is not a new problem with Tinseltown, but it is a problem that seems to be exacerbated because more and more Techbro Twits sneaks into cinema. I don’t think you can make a radical movie like Godfather or The end of the world now In the studio ecosystem today. Can you imagine an attempt to persuade an algorithm by doing something crazy like The end of the world now?

but Migadoc A trailer has disturbed me for another reason, which reminds me of a very special time in the field of cinema.

Actual documentary films, not cutting fluff

When DVD Booms really struck in the first decade of the twentieth century, Studios decided to download the largest home video versions with a ton of scenes content. While there were many EPK features (electronic journalism) that were more than pure marketing, there were also many products that allowed documentary films to be filmed during the filming schedule. This means that we actually got explicit offers of what is already making a studio movie.

Funny enough, this idea was celebrated first through the documentary Dark heartsSadiq’s brutal photography of Coppola’s conflicts while making it The end of the world now. Nowadays, the makers of studio films are kept tight so that they are practically confidential. Although it is still produced “behind the scenes” for modern films, they are on the harshest steering wheel in all ages with a studio shouting this wheel every two seconds.

Migadoc It reminds me of a decisive part of my upbringing in the movie: seeing experiences, tribulations, conflicts, and confusion that takes place when trying to make art. Jaw It is one of the most important parts of the films that I watched as a child because it made me love my favorite movie more. It is not because it was a journey cut off the memory lane or a piece of studio propaganda targeting Mimi, but because it showed the extent of imposing taxes on that Jaw. This was not ashamed of the tensions, problems and shocks that the film industry had to deal with.

Migadoc It appears to be in the weak vein of “Making” documents. It has become very uncomfortable with how modern films are made because it rarely shows an unfamiliar image of the process. Migadoc He made me excited because it is not some calculated marketing of a movie like most “Made” content these days. It seems that this type of documentary that made me love how films and warts are made and all of them.

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