Long walk was filmed in a way that is not most of the films

Although filmmaking has come a long way from the peak of the studio system in the Golden Age in Hollywood, there are many practical technologies since the first years of cinema that are still practicing today. Perhaps the most practical techniques ever are the technique that makes the lowest common sense for a stranger, which is that most films are completely filmed from the arrangement. This is usually done because of the problems of a site or is set only for a certain period of time during production, which means that film makers need to finish shooting there first before moving to another preparation. Then these problems are exacerbated by the schedules of the team members – for example, a specific actor may appear near the end of the movie, but it is only available in the photography table. Although this may seem strange to those coming from the theater world, it is a reality of films and television that has become widely understood and accepted.

As such, it is rare for the movie to be released anywhere near the time arrangement, because it is rarely logical or financial to do so. However, from time to time, the stars are in a way that makes the shooting of the sequence not only financially healthy, but also creatively attractive. After all, although every cinematic and television actor must get used to doing their work in a mixed manner, there is no doubt that filming in the sequence creates a more natural environment for them to build and display performance. For this reason “The Long Walk,” adapted by Richard Bakhanman, also known as Stephen King, is a novel Directed by Francis Lawrence, It contains such offers that have been developed richly and incredibly good offers from her team. Thanks to the needs of the text program, Lawrence realized that the film could be filmed in time, because it has made an option to do it until the film ends much and unique.

Francis Lawrence could have made the film in a more traditional and non -fatal way, and still is great. However, when Lawrence saw the opportunity to film the movie in succession, he knew that choosing to do so would pay profits for the effect that the actors and the crew would achieve, and in the end the audience. As he told IGN recently, this was the first for him in his career:

“We filmed this film in terms of time and this is not something that I should do at all. There is no movie that was built in a way that allowed me this opportunity. But because of the nature of this movie, these young people meet, and they all meet each other, and as soon as they start walking, the site changes every day while you are in a new scene. And so we can choose a time.”

This choice not only helped in a few ways with things such as maintaining the continuity of fashion, hair, makeup and the like, but also helped Lawrence and cinematic photographer Joe Wilms to know how to make the movie look aesthetic. Just as the actors had dead experience in building ties between them outside the camera, which suddenly ended when a character was killed while walking, Lawrence and his crew began to realize that the focus of the story was not the world around these children, but the children themselves. Lawrence also continued:

“I was a little anxious at first about how to shoot these men, how I banned them, and how to shoot them walking, talk, and do all these things. What I realized is that the important thing is, again, is the intimate friendship, as is the case with each other, and after I focus on it, and after focusing on the characters and then. Get rid of.”

In fact, the slow progress of the deterioration of each character – physical and mental – is something that can be seen sharply in the movie. Although the film does not happen (and it has not been filmed) in the actual time, it still carries with it some feeling of watching a documentary, such as The reality of these children is going into infinity to their death in each of the personalities and the public. It was an effect that could not be transferred if the film was traditionally filmed.

A unique photography experience would have had an effect on “The Long Walk” for its representatives and crew on the group. However, the ripples did not stop there, as the option of photography in order also had an effect on post -production as well. According to a question and answer Movieweb I was conducted with the editor Mark Yoshikawa after a recent screening of the movie (which this writer was also present), ending with filming in order to influence both the editing of the film and its audio design. There were additional restrictions on the post -production process as a result, but there is also a uniquely strong psychological effect. As Yoshikawa explained:

“The only thing in this movie is that you cannot get things out of the arrangement and rearrange things as you usually do as an editor, because people died in a specific order. It started with 50, becomes less and more. I think there is also on the big screen in the screen they enjoy, only speak, and then. They are dozens, then they are 10, then three.”

Yoshikawa also discussed how, thanks to the filming in the sequence, was able to collect the movie while filming, which means that Lawrence could see a group of the movie immediately after the main photography wrapping. All this means that “The Long Walk” was in a lucky position to be made in a way that served the practical needs of the film while allowing him to reach his creative capabilities. To make sure, Not every movie (or even) like this can be made. However, film makers may be accustomed to the “regular” way to shoot an unequal fire so that they do not even be considered an option to do this in this way. We hope, in addition to admitting its wonderful performance and filmmaking, “The Long Walk” may be a little change of the creative sea to shoot films as well.