Lee Pace has great hopes for the fourth season of “Foundation”

You didn’t see the last episode, right?

no.

I didn’t give up anything now, right?

No, no, I was tending to instructions that I think was created. I am more eager to see now. I have a representative question: How do you and your fellow actors play the same person who is not the same person?

In the first season, we created this idea that they were sitting around dinner and have the same movements – this is a cultural matter among these three people. We had these artistic ways to make their common awareness visually, and we could work in it. We just practiced. We reached this small dance that we will do with dinner table scenes. In the second season, we did something different with him. We have created this idea about the person who will not follow the rules, who will only do it differently, whether the other brothers love it or not.

Oh, interesting.

I love working with Terry (Man, who plays the dusk brother) and Cassian (Bilton, who plays the role of brother Don) and Laura. It is a unique concept (writer and producer David S Gwer) with these cloned emperors who all live together as a family, and there are many different ways to look at it. I think it is a completely original idea, and in line with the questions Asimov asks in institution And his other work.

I completely agree to it as a real original idea. There is always a new way to play the basic blues, but this is a really new idea that I cannot think of. Maybe there is one.

It is time too. Time. You can do this thing with time and generations, and this is what I feel now in the third season. We have now covered 300 years, and we look more.

As Asimov did.

He was working in this story on many different contracts, and he wrote institution He wrote and wrote it with collaborators and finding ways to link them in short stories and other stories that he wrote in other books and series, and expanding this world institution.

Yes, but I also imagine that a lot of source material can be overwhelming.

I really like how in this show we did not deal with a series like FAN FORME, where we will be like, Well, now we are doing the scene in which this happens, and now we do the scene where this happens and this happens and this happens. But we allowed the story of the story that Isaac Asimov left on the table, and we can explore the lines he wrote, the lines of the painters that are referred, the danger lines that occur outside the stage, and the lines that he later discovered in writing and achieving it about the story.

Well, it remains a reality of the shape of Asimov’s ideas without being owned by them.

As a fan of science fiction myself, I feel that this is like a good opportunity that is taken when we can bring it to the screen, and use from everything we have in front of us with what I have achieved in writing institution Then link all these stories and other lines that he created all the time. I mean, he is just a prolific writer.