Lalo Schifrin, the Oscar -nominated composer for the “mission: impossible”, dies in 93

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Lalo Schiffin, the composer who wrote an attractive topic to the end of “Mission: Impossible” and more than 100 other cinema and television arrangements, died on Thursday. It was 93.

The son of Chevrerene, Ryan Chevrin, confirmed the death to CBS News in a statement, saying that his father “surrendered to complications of pneumonia.”

“His family was next to him, and he passed peacefully,” Chevren said. “We are grateful to allow him to be for him. We are still trying to treat this loss, and we are very affected by all the love and support we have received.”

The Argentine won four grams and was nominated for six Oscars, including five for the original result of “Cool Hand Luke”, “The Fox”, “Voyage of the Damned”, “The Amityville Horror” and “The Sting II”.

“Every movie has its own character. There are no rules for writing music for movies.

Composer Lalu Chevren

File – Lalo Schiffin composer at BMI Film Awards and TV & Visual Media in Los Angeles, California, on May 10, 2017.

Michael Buckner/Variety/Penske Media via Getty Images


He also wrote the great music performance in the World Cup in Italy in 1990, where the three Tenors sang – plácido domingo, Luciano Pavarotti and José Carreras – together for the first time. The work has become one of the largest sellers in the history of classic music.

Chevrin, a jazz and classic pianist, was a great profession in music that included working with Dizzy Gillespie and recording with Count Basie and Sarah Vauughan.

Chevren’s formation of the topic “Mission: Impossible”

But perhaps his greatest contribution was the outcombest result immediate Just coated withThe fictional films extended from time led by Tom Cruise.

The Theme-DUM-DUM DUM DUM DUM DUM DUM DUM-married to the hour of self-destruction on the screen that started on the TV program, which lasted from 1966 to 1973. She was described as “the most infectious curse that the deadly ears heard” by New Yorker Movie Contain Anthony Lane and Hite No. 41.

Chevrerene originally wrote a different piece of music for the topic of the topic, but the creative series Bruce Giller loved another arrangement that Chevrerene composed for the movement’s sequence.

“The producer has called me and told me,” you will have to write something exciting, almost like the logo, something will be a signature, and it will start with a wallet, “AP told AP, and I may haven’t had any pictures to arrest that, and this may have been why I have become successful of this.

When the director Brian de Palma was asked the series to the silver screen, he wanted to bring the topic with him, which led to a creative conflict with composer John Williams, who wanted to work with his new topic. Williams went to Danny Elvman, who agreed to keep Chevrerene.

Hans Zimmer captured his second film, and Michael Giacchino recorded the next Monday. Giacchino NPR told that he was hesitant to take it, because Chevren’s music was one of his favorite topics in all ages.

“I remember calling Lalo and asked if we can meet for lunch,” Giacchino told NPR. “I was very tense – I felt as if I was asking the father if I could marry his daughter or something. He said:” I just enjoy it. “I did.”

“Mission: Impossible” Grammys won the best effective subject and the best original degree of an animated image or a TV program. In 2017, the topic was introduced in the Grammy Celebrity Hall.

U2 Adam Clayton and Larry Mullen JR. The topic is during the delivery of soundtracks to the first batch of 1996; This release reached its climax in No. 16 on Billboard 200 with Grammy’s nomination.

Imagine the 2010 Declaration of Leviton Chevren’s tea is a young man who composes the topic in his piano with the acquisition of inspiration through the brand’s LIPUTON Yellow sips. The musicians fell from the sky as it added.

Chevren’s background and his other heavy work

Boris Claudio Chevrin was born to a Jewish family in Buenos Aires – where his father was the concert of the Valthuron Orchestra – Chevren was classicly trained in music, as well as studying the law.

After studying at the Paris Institute – where he learned about harmony and composition from the legendary Olivier Mesin – Chevren returned to Argentina and formed a band.

Gillespie Schiffin heard a performance and asked him to become a pianist, organizer and composer. In 1958, Chevrerene moved to the United States, where he played in the Gillespie in 1960-1962 and was written by the well-known “Gillespiana”.

The long list of the stars he performed and recorded includes Ella Fitzgerald, Stan Getz, de Bridge and George Benson. He also worked with classic stars such as Zoben Mihata, Mustalaf Rodteropovich, Daniel Barenbim and others.

Chevren moved easily between the species, and won the “Jazz Pavilion in the Jamal Texts” of 1965, while also received a gesture in the same year for the result of “The Man from Uncle” in 2018, he received the Honorary Oscar statue, and in 2017, the Latin records Academy was distinguished on one of its own secretary.

The results of the films later included “Tango” and “Rush Hour”, “The Bridge of San Luis Rey”, “After The Sunseet” and the horror movie “Acrondable”.

Chevrerene decided to write “Dirty Harry” arrangements, in fact, in fact, Cleally Eastwood champion, Harry Kalhan, but the villain, scorpion.

“You may think the composer will pay more attention to the hero. But in this case, no, I did it to scorpion, the bad man, the evil man.” “I wrote a topic for Scorpio.”

It was Eastwood that Oscar Honorary delivered.

“The receiving of this honorary Oscar is the culmination of a dream,” Chevren said at the time. “It is the task of accomplishing.”

Among the Chevrerene credits are run by the London Simphoni Orchestra, the Singlon Vienna Orchestra, the Israel Filharmonic Orchestra, the Houston Simphoni Orchestra, the Chambers Orchestra in Los Angeles, and the Atlanta Simphoni Orchestra. He was appointed as a music manager at the Glindel Symphony Orchestra from Southern California, and he was served in this capacity from 1989-1995. Chevren also wrote and “Christmas in Vienna” in 1992, a concert that includes Diana Ross, Carrierras and Fumingo.

He also merged Tango, popular and classic types when he recorded “messages from Argentina”, he was nominated for Latin Grammy for the best Tango album in 2006.

Schiffin was also assigned to write OverTure for the 1987 Pan America games, and he composed and conducted the final performance of the event in Argentina in 1995.

Perhaps one of the only opera was implemented in the ancient original language in Nahuatl, in 1988, Schiffrin wrote and performed the songs of Symphony “Aztecs”. The work was first offered in the Teotihuacan pyramids in Mexico with Domingo as part of a money raising campaign to recover the AZTEC temple on the site.

“I found it a very sweet music language, a language in which the sounds dictated by interesting melodies,” Chevrin told Associated Press at the time. “But the real answer is that there is something magic about this … There is something magic in the art of music anyway.”

In addition to his sons, he survived his daughter Francis and his wife Donna.



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