John Wake’s director in John Wake 5 and Wake’s movie is a documentary (exclusive)

Chad, I want to finish this. There is some thing in the movie about how Jason Statham “Safe” is the introduction to the world for the type of weapon that you have finished bringing “the wick” films, and I think it was David who says in the documentary, as is the case in this design, as is the case in this design, as you take this design, as you take this design, as you take this design, as you take over this design, The matter that exists in this design, “a day.” What do you remember how this has decreased?

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Chad Stelinsky: It is not how it was completely (He laughs).

Well.

Chad Stelinsky: We do a lot of work with Jason. He is a very good friend for us, I love him, I love his films, and our team “Beekeeper”, we are still working with him. As designers of dances, whether we are in a job or not, we always bear in the gym in an attempt to reach S ***. At that time, there was a lot of “taking”, and it was a lot of “Born”, it was a lot of the strange camera with quick modifications and things, and I came from the background of very heavy martial arts with a struggle in Judo, Jio Gitsu, Ikido, Iiki-Gitsu, all this. I was really getting three rifles at the time. This was before that before “John Wix”. We were exploring this whole world, and we thought it would be somewhat … we were disintegrated when you saw our early rehearsal tapes, but we really liked it.

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And every time we made a movie with Jason or Stallone – we were doing a lot of “consumer” at that time – we were trying to try like dance images as well. Therefore, we were doing some very strange things. That was just the fog rifle tapes, you should have seen all of this … it’s not as if there was one or another. We had 10 other ideas that we guided to Jason, too, and all kinds of things. you know what i mean? As I said, in a previous interview, it was so, “Well, well, when you design a character …” – I don’t know if you have seen “safe” or what it was –

I did.

Chad Stelinsky: He is a private special forces man, and he is now a homeless man, who is not allowed to speak or interact with the human race, and he must save a young girl. Therefore, Bose (yakin), as a director, was designing it in a certain way. So, Jason is a homeless man, it is a kind of shape, but he has a (military) background, and the struggle at that time does not seem as if you lived in the street and you do not eat properly and that you are out of form, so you will be like this, “Why this man is very good? Everyone was like, “Oh, this is great, it is not suitable for the character. Why does he shoot the players (the face)?” It is not about the number. It was a very specific emotional thing, on a real basis, from someone who lost, in an attempt to find a family, a little girl.

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I can design a fighting scene with you and I, and no one should die, and be beaten – there are many variables. But you are fighting a gun? Someone dies. It usually takes only one bullet, especially the way we fired, right? The prisoner of war, the prisoner of war, the prisoner, the prisoner of war … and ***, was shot four times in half a second. Therefore, it changes the melody of the movie. You cannot get a Fu rifle movie with only two bad guys. It will be very boring. You see the way we are going through through the number of the body – it is close, I must throw the man, then shoot it. It was only not decent.

Count and do the number of bodies, it’s 350 people on “John Wick 4.” You know what budget you got for exciting works in that? It could have made the movie “safe” from the budget of our trick. He was crazy. And he gets a little absurd. It is a little bit, right? It should be, with bulletproofing allowances. It is only, when you really return and think about it, no one says that they do not like the style of weapons. You have to remember what Gun-Fu is, and in “John Wick”, it’s like, “Oh, P ***, this is great, it’s clear. Wonderful!” But put it in the movie “Born”, or put it in a realistic movie – put it in “Heat” – or put it in “Mission:” Impossible. mockery.

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Yes.

Chad Stelinsky: I spent 10 years building a privilege to be Pots Bani, to get a world through which I can kill 300 – O shouted, say: 350 wicked. This is madness! And you are wondering why people did not do … no one hates it, everyone watched it and laughs at the donkey. it’s great. But logistically, it will be very strange to this movie. Insvinity, from logistically, financially, has never succeeded. We were the people who were raising it, knowing that there is no great way for him. Some of Ikido, the individual is definitely moving. But I, Jason, and the director’s pardon, were like, “Yes, it’s wonderful, but …”

There is a little hint there, when Jason takes off in the restaurant and things. There was. Jason can do everything, no problem, and *** Jason’s man is terrible. I love watching s ***. It is only, it was not the right character, tone and film for that. I use an example, have you seen a “matrix”, right? Well, a new image of weapons. The film changes dramatically, right?

He does.

Chad Stelinsky: Well. If I don’t change anything else, imagine “John Wick” with wireless works. Change the movie, right?

He does.

Chad Stelinsky: Do you hate the wire work?

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no.

Chad Stelinsky: No. Do you hate weapons? no. Do you hate black jackets? Do you hate running? no. It is (like) the wardrobe, it is suitable for the character. Sometimes it works, sometimes it does not work. But you only hear this story, you do not hear the other fifty things that we spoke. We were great in making the sword. Nobody tells the story about how, “they did not use the fighting cyber in” Safe! “We did not do Broadsword at” John Wick “. yet. But in “Hailander”, what do I do so much?

O man.

Chad Stelinsky: So, the style is part of something personal. So, again, it wasn’t like this.

“Wall is pain” is available on digital now.