Jennifer Lopez Horror Misfire was one of the favorite Roger Ebert movies from 2000s

Sometimes when creative people take a really great swing, large spaces of the audience will not be on board. There are a number of huge films that were floundering with critics and the masses, either because they were before their time or were very strange, but at least one of those films had a serious, serious competitor in his corner. Tart Singh Feeling the science fiction movie “Cell” He did so badly with most critics, but it was a modest success in the box office, and the late Roger Ebert was already put in his list of 10 best movies for 2000.

Tarsem movies (his title falls from his professional endeavors) is not for everyone, because it tends to give priority to visual beauty and great objective initiatives to tell traditional stories, and the “cell” can be a deep challenge for some audiences. It is the story of a killer hunter, such as “Silence of Lamps” or “Kiss The Girls”, but with the development of science fiction, where the psychologist of the child uses Dr. Catherine Dean (Jennifer Lopez) the technique of connecting the mind to go to what is going on in the river of the sequence. “The Cell” is a visual feast with a slightly complicated story and some unequal representation that is an achievement in the film industry – and besides that, it is much better than some of the subsequent directors of directors, such as the mobile adaptation “Snow White”, the mirror or the mirror ” The miserable based on Greek myths based on the “immortal”. The “cell” is not perfect, but it deserves to be praised and we hope you will get more re -evaluation in the future, because it is really amazing.

In his entry into “The Cell” in the list of the best in the year 2000, where he ranked sixth, Ebert, “Tarsem, the director, is a visual virtuoso who wanders in his stories without trouble; it’s great, and the way he mixes many notes, patterns, and patterns in a very original movie.” Since the large parts of the film occur completely in the worlds of dreams, surreal groups and other sites with a universal appearance make the “cell” feel anxious and anxious in somewhat unique ways. Horror is rarely very colored, And the design of the “Cell” cinematography and filming makes it one of the most beautiful horror movies in all ages. It also does not skimp on horror, with some shocking moments like the diabolical interior version of a deadly d’Onofrio character that launches Peter Novak (Vince Vaughn) on a rotating golden deviant or stumbling in Catherine via a horse filmed by glass fall tools. Perhaps it was too much for some viewers, but Ebel has been sold regardless. In 4 stars of 5 stars reviewHe said:

“I am not looking for prior information about movies because I love to enter with an open mind. Walking in the” cell “show, I never knew anything about the plot or hypothesis, but a TV producer in New York has made it clear to me how much they hate it, and many online correspondents told me useful that they believed it was. Have we seen the same movie?”

Even in its most amazing and most hideous moments, The “cell” is amazing to look at It takes such giant fluctuations that they are really impressive. Frankly, even if it is not all, he is one of the best opponents of designer Eco Ishyka, and this deserves something.

Japanese coach and fashion designer Eiko Ishioka worked with Tarsem several times after “The Cell”, including the least successful “immoral” and “Mirror, Mirror”. The amazing “The Fall” fashion was also designed, which may be his best movie and star Li Pace as a trick in the twenties of the twentieth century, which befriends a little girl with a great imagination while placing it in the hospital. Perhaps the most famous work in Ishiona was the fashion design in the movie “Bram Stocker” from Francis Ford Coppola, when it became the first movie “Film Fashion” From ever given Dracula a little booty.

in “The Cell”, Ishiona created a number of costumes For the really wonderful dream world, including one to wear Lopez when Catherine becomes imprisoned in the murderer’s mind with a collar and the privilege of Chrome (in the image above) and the truly terrifying manifestations of the same internal killer as the court holds a king of his hidden anxiety. She also created the claims that people wear to use the technique of transferring the mind and reminds them of the amazing muscle shields that Gary Oldman wore in Dracula. See, vone performance is truly The strange and dramatic nature of the dream world can be somewhat overwhelming, but the “cell” deserves to be seen by Ishiona’s fashion alone, more than any other Tarsem movie. Ibert and I cannot be wrong, right?