Again when the first season “Twin Peaks” was broadcast for the first time, it was the biggest surprise for everyone was the amount of material he was given. Her personality was Laura Palmer, It was presented as a body In the pilot. Outside a few memories of the Al -Thaber, Laura remains at the level of the viewer’s imagination throughout the season, assumed by her character through the way her friends and family remember.
The role of “mysterious and deadly girl” was largely standard for me, and for this reason she did not expect to be called up after the first episode. in 2016 interview Remember to me:
“After we shot the pilot, I stayed in Seattle and continued to do the theater. I thought that was. Then David (Lynch) called me months later and said:” How will you feel about moving to Los Angeles? I want to return you to the show. ”I felt overwhelmed but I said,” What? He said, “I do not know, but we will discover that.”
warning: Spoilers Below for season 2 of “Twin Peaks”.
The solution on which Lynch settled was to present the character “Madeen” Ferguson, the cousin of Laura Palmer, who resembles her completely but with dark hair and glasses. Was it a little absurd to give Laura Doppleganger? Perhaps, but the fans were still on board. The poor Maddy was a beloved character who helped lead the plot in the story of teenagers. It was interesting to watch it, Dona and James are crossing them throughout the first season, and it was destroyed in the second season when I met a tragic disappearance similar to her late cousin.
David Frost, the creator of the show, also explained an inspiration for the general cousin, who is matching from one of the best films of director Alfred Hitchcock. “The personality of his cousin (Laura), Madeleine, is of course a tribute to” Vertigo “, and she started playing. “The show was thick with this type of honor, a kind of compulsive return that kept viewers at a confusion and calm.”
Many similarities between “Twin Peaks” and “Vertigo”
warning: Spoilers For “Vertigo” below:
Hitchcock lovers can also remember, “Vertigo” is a movie about an investigator called Scottie (James Stewart) who is asked to monitor a troubled woman called Madeleine (Kim Novak). Madeleine dies tragicly in the middle of the road, and Scotti is shaken only from his sadness when he sees another woman (also playing Kim Novak) is completely similar.
The film quickly reveals (for us, not for Scottie) that this new woman is actually the same person we met in the first half of the movie. She is an actress appointed as part of a detailed scheme before TRUE Madeleine’s evil husband. However, this secondary moral disclosure, however, in the real number that the movie cares about: Scotti’s obsession with a return to the romantic imagination he had with Madeleine. He continues to try to return Judy to Madeleine, although Madeleine, who fell in love with his love, was never real. Film She ends with Judy herself dies Almost in the same way that she was falsifying Madeleine’s death.
There are a lot of differences between Laura/Maddy of “Twin Peaks” and Maddy/Judy of “Vertigo”, but there is one thing that remains as it is: both tragic women end with the source of the main personality obsession. Just as Scotti is pushed into a harmful semi -fruitful endeavor to return Madeleine from the grave, the Cooper Cooker ends in “Twin Peaks” in a kind of alternative dimension when he tries to return in time to save Laura. (At least, we He thinks This is what happened. The end was a little confusing))
Both “rotation” and “Twin Peaks” are stories about the way in which women (or abuse) can be dealt with by men in their lives. Both metaphors of ordinary women who turn into larger ideas by Scottie/Cooper, with tragic results for almost all concerned. Both stories are attached to the impossible standards often and hope that men can put it on one woman, and hit the idea in a way that is still correct even after decades of broadcasting each story. This approach leads that both stories have the ends of Pomer, but this is what also leads them to maintain their emotional impact after a long period of their first appearance.
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