It is in 2025 and I saw the jaws for the first time, these are my sincere thoughts

“Jaws” for Stephen Spielberg is a cinema cinema I changed the way the audience watched filmsTeach them to examine topics and metaphor under a simple story. Critics regularly classify it The best movies in all ages And its impact on the popular cinema cannot be reduced … but despite all this, at the age of 38, I still did not see it. Its phobia kept it from sharks and aversion to some family -friendly fare in Spielberg, but after a lot of sensitivity through documentaries, I decided to change this, and in time for the fiftieth anniversary of the film.

Although I did not see the “jaws”, I felt as if I had absorbed everything I really needed to know from other media. After all, the movie was referred to and proven in almost everything from “Star Trek” to “It is always sunny in Philadelphia.” However, there are elements that all these secondary interpretations are not captured. “Jaws” is great because it is a rare cinematic achievement to test time – even if you do not do some special effects. It is much more than just a film killer of sharks or popcorn films that satisfy the crowds, because although it is fine, it is a multi -faceted criticism of the American policy that feels after five decades.

While I knew there are some jokes in “Jaws”, like Often “you will need a larger boat”, “ I had no idea how funny the movie is. “The jaw” falls directly to my illiterate island on the weekend of July, where the police chief Martin Brody (Roy Sheter) is trying to preserve the peace of people despite the fact that there is a human piracy that lurks around the beaches. The speed of the film is pure, as it provides a lot of information with the minimum exhibition, and uses a wonderful rotation in building suspense, fear and comedy that relieves stress to keep you participating. the The legendary result by composer John Williams It helps in keeping movement as well; Besides the liberation of experts by Fields, it helps sell tension to the point that, despite knowing when the jumping operations are coming, still jumped and shouted in fear. (It can be said that the result gets a little also Bright and not in the third chapter, which leads to some linguistic imbalances, but it is a small complaint about an incredible piece of music.)

“Jaws” is apparent from three men trying to stop a lethal shark, but then, it is also related to how people who are in power put their needs and “economic fears” above public safety, and the scientists and other experts ignore the pursuit of the great dollar. The bossy mayor Larry von (Murray Hamilton) keeps my illiterate beaches open although it can be easily ended in bloodshed, and it makes a suitable metaphor for everything from the United States government to treat Covid-19 to the global warming phenomenon when interpreting it from the current day. The shark only lives according to its nature, but humans who do not protect each other from his hunger are the real monsters. I will admit: I didn’t expect such a “Jaws” class suspension, but it is somewhat shocked and shocked.

My personal minor holds what I can now describe as “Amblin” by adventures aside (it is clear that Spielberg made this film before “Ambolin’s film industry” is something), the “jaw” is the cinema at its best. Spielberg wears his effects on his possession, with Public gestures of greats such as Alfred Hitchcock This helps to make the movie really feel cinema. Forty cinematography also, with a clear intention behind each one frame – something we unfortunately do not see in most modern films. And in spite of The reputable turbulent shooting, “jaws” It is designed with experience in every way.

However, the thing that surprised me more is how much I was interested in the three capacities. Scientific shark expert Matt Huber (young man, hot Richard Drifus) and local sharks (Robert Show) Broody Hunt will help the shark, and the three men cannot be more different, but they are also allowed to be truly honest and vulnerable. Actors behind the trio are really ideal, and each of their characters has since become an original model; I was not really ready for the number of times I realized that characters from films and other TV programs were inspired by one of these men.

In general, the intimate friendship that builds between Hooper, Quint and BRODY despite its huge differences are very large, and it gives more weight to their survival (or death). Fears in the “jaws” are equally strong, while laughter was, again, a beautiful surprise. But ultimately, my biggest ready -made meals is that Hooper, Quint, and Brody are hugely written and the performance of characters that make the rest of the movie.