In the field, “The Wizard of Oz” is tested by Amnesty International.

Oz magician Go to the Vigas tape in the ball This summer, not without some controversy.

Warner Bros. feature is offered. Classic Technicolor, Judy Garland, in a limited special participation in the huge football stadium in Las VegasIt is assumed between the housing of the music artist. The latest thing Overland entertainment The center appeared for the first time as a gravity that must be visited with the U2 rock band.

Now in a new project, you cooperate with Warner Bros. Entertainment to celebrate Oz magician By giving him an update to display the filling of the screen that caused a stir in the world of cinema. Recently, the classic film has been reported to fit the ball scale, and artificial intelligence will be used visually widely.

in Applicable Story, CEO of SPARE Entertainment and CEO Jim Dolan spoke about the place’s cooperation with Google Cloud. He said: “The power of the Impressive Intelligence, along with the infrastructure and Google experiences, helps us to achieve something unusual.” “We needed a partner who could push the border alongside our teams in SPARE Studios and Magnopus, and Google was the only company equipped to fulfill this challenge on the LED screen the highest accuracy in the world.”

This may have led to the disturbing feathers of the film fanatics and conservation specialists in thought, as many oversee what prevents them from tampering with the MGM masterpieces owned by Warner Bros. Discovery now – or what is worse, somehow trying to enhance Judy Garland’s performance.

In a recent interview with diverseCaroline Blackwood, head of SPHERE studios, discussed how the use of obstetric intelligence will only adhere to upgrading the old image. “If there was close before and it was just Dorothy, but you knew that the shanty man, scarecrow and coward were in the scene with her, but you did not see her originally, you are now going on a large scale and they are all together.”

So things like legs on expanded characters and characters, as well as landscapes are not out of the table. It remains to see how this affects the characters in the space that the reactions are not depicted. Will technology generate a performance based on cut or compound scenes from the movie or the actor’s heritage? This is where it seems to be getting a little amount.

https://www.youtube.com/watch?

However, Blackwood asserts that Garland’s audio performance will remain without touching. “We have asked people, because they know that we are using it clearly that we are using artificial intelligence techniques in this film visually, and many questions about whether we will do that or not do it. We did not do it. This is Judy Garland.”

Paul Freeman, the main audio artist in the field, added that the touches only aim to strengthen the film in an unparalleled overburden. So while music and other characters stem, you get some cleaning, Garland remains primitive. “One of the great secondary products for that is, the number one, it gives you a very important feeling. So when you listen to” somewhere above the rainbow “and you hear the real Judy Garland site, you never hear again on the image, and you hear that the orchestra gives you somewhere you have not heard before, and you will never hear.

But will the Hollywood crown jewel use to test artificial intelligence water to preserve the classics for new formats, or will it open the gates to re -mix them with new technology so that the beloved pieces are no longer immediately known from the history of the cinema?

Oz magician It begins with the participation of the field August 28.

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