I made it clear how you defeat Yeena Sentry

Put this on the wheat box: the following article contains The main spoilers For “Thunderbolts”.

If you have seen one Marvel movie, you all watched it – or so you go to the traditional wisdom surrounding this privilege, at least. To be fair, criticism about the studio adhere to a certain “formula” is not completely out of the base. Although this point was largely unloaded when the Marvel Film Universe was working on all cylinders, it became impossible to ignore it as soon as the quality of each batch decreased and reduced it with almost every traffic movie in the aftermath of “Avengers: Endgame”. The disappointing version of this year from “Captain America: Brave New World” Make the lights only brighter than it was already. Once it is time to launch “Thunderbolts*”, more simply will not be cut off.

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Fortunately, director Jake realizes this possible problem and comes out in front of it. The hypothesis of Antihero Team-UP may be Appear Like working as usual for MCU, to an idea Building another new Avengers menu as hinted by the stellar brand in the title. But despite having to adhere to some of the usual restrictions inherent in this universe, “Thunderbolts*” managed to color outside the lines much more than many modern products that were able to do. Not since James Gan presented a trilogy with “Guardians of the Galaxy Vol. 3”, have we seen Marvel’s bold, unique and ready to push the border.

There is no more clear place than it was in the final action of “Thunderbolts*” – it can be said that the high point of the entire word. It seems that a large part of the plot prepares Yelena Belova (Florence PGH) and the rest of our (anti -risen) heroes who ascend against the unmunking power (Louis Polman), who becomes the amazing guard before It turns into a dark and deadly void. But when we seem to go to another third business battle full of banter, punching, and destroying VFX, we take for an unexpected development. The result is one of the best peaks in any super film for years.

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If the idea of ​​a group of heroes who cannot bear each other meets to fight a fiery battle in the center of New York City, it looks very familiar, well, I will go out on the parties and say that the similarities between “Thunderbolts*” and “The Avengers” for the year 2012 were coincidence. This is largely as they end, as this movie is the most amazing and most founded film fully charged. What do you also call a record of a third standard behavior where our excessive crew must defeat a strong team that exposes the entire Manhattan Island … only to withdraw the carpet directly from under us and instead, it becomes smaller, more intimate and less focused on the scene in the most moments?

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AS /BJ Colangeo movie glimpsed in “Thunderbolts*” reviewThis is the Make -or-Break sequence that places the movie at another level completely compared to its contemporaries-including Marvel itself. From the moment our team meets together and the stages of an attack on the former Avengers Tower (It is now called the monitoring tower, under the ownership of Julia Louis Drifus, the villain), It is somewhat clear where things will go after that. The disclosure of Bob’s turning to the amazing appearance guard is the first warning sign that things went on a terrible mistake, which is quickly followed by the extent of its sending to all our heroes (mostly) that are not advanced. But as soon as the alteration of the integrated killing in Valentina reacts as a vacuum and puts his eyes on converting every innocent life in New York City into shadows, it seems that anything less than the sides themselves will be able to hit this great bad in its presentation.

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Of course, this is exactly the opposite approach required by “Thunderbolts*”. Instead of the same super procedure that we are already ended, the text program (to which Eric Pearson and Joanna Calo are attributed) when we expect to reduce. When Yeena sacrifices herself by walking directly in the FOID’s Fire line, the following is completely turning on the scenario on the comic movie.

If the studios allow artists to stay away from half of the things that the creative team is doing “Thunderbolts*” well, we will not even talk about MCU struggling to find a wave again or the spread of the super film in general. This film is a major example of this type of bold, fictional and truly inspired options that many of us claim from the four -quarter events and satisfaction these days. But not even half an hour, or even director Jake Sherir reveals his possession that makes everything clicked in place.

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“Thunderbolts*” may not distinguish There is no doubt that the fans of the epic size are undoubtedly demanding the next titles such as “The Fantastic Four: First Steps” Or “Avengers: Doomsday”, but this was never on cards in the first place. Instead, the movie Team-UP Workmanlik benefits from its modest ambitions. Knowing well about the uselessness of the fighting, Ylena chooses, at first, it seems that it surrenders to the darkest of its motives and simply surrenders in the face of adversity. But when the void shades are allowed to take it to its subconscious mind, we slowly realize that this was the entire point all the time. The film is no longer about energy levels or any meaningless nonsense, but it does not make sense, but it is objectively large materials such as the lengths that we want to go to in order to withdraw ourselves-and those we care about-from the return from the edge of the abyss.

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It is difficult to become smaller than or more intimate than a sequence that has been displayed in the craftsmanship space for our main characters, but this is what “Thunderbolts*” do well in his third action. Yeena receives a closure about the childhood memories that it chases to this day, and Bob faces the shock and insult from his upbringing painfully as a great person, and the Thunderbolts team soon puts this talk about work – not through you, but through an emotional hug for the bastard of each other. It was taken as a whole, and this may be the original and refreshing “battle” in Marvel so far.

Thunderbolts*now plays in theaters.