How to win the Yourovin song competition, according to experts

the Eurovision song competition It was seen about 163 million people last year – which means that there are 163 million different opinions about what makes the perfect expatriate.

Do you go to a loving song, guaranteed to leave Europe blurred eyes and full of love and peace?

Or do you choose the splendor of a cheese, complete with a bastard that takes regional costumes and organizing the eye that will get the entire continent (and Australia) in their living rooms?

According to Bennett, there is some authority to this, as each song Eurovision is under six broad lyrical topics: “Love, loneliness, self -accusations, parties, history and songs about music making.”

He adds that “the songs of self-charges or lyric self-empowerment work very well”-as we saw with the winner of Austria 2014 It rises like a Conchita Wurst.

Acts may be seduced to move forward in the gradual, but this may not be the way to secure victory, according to our experts.

Song writer Thomas Stoutgard participated in writing Tear winner in Denmark for the year 2013 only (Besides Enter the United Kingdom for this year What happened against hell in remembrance of the two). He partially put his success to his simple launch, which he says is easy to remember.

“If you ask a child to draw this graduation, they can. She was a girl who does not have shoes, two players play drums and a flute man. Very simple, but she succeeded.”

Voice coach Carrie Grant, who The Parliament in the United Kingdom led in 2014 He won the sixth place in the competition as part of Sweet Dreams in 1983, corresponding to.

“There is nothing worse than owning an artist who has a lot of money, but their performance does not require that,” she says. “This performance looks worse.”

The 2014 winner (and the personal favorites of Carrie) was Conchita Wourrest – the first work to win the competition without supporting singers or dancers on the stage since 1970.

What made Konchita stand out is that she was the bearded pellet queen. Carrie believes that Eurovision fans love strange things and that “homosexuality is a gay”.

But she adds that Conchita was not a way to circumvent, but instead “a great singer can offer what we call Money Money Moments.”

Small songs are a key dominating europheng.

Bennett reveals the idea that “the pioneer is equal to Saeed, Egypt is equal to sad,” adding that “the small keys are more short of the emotional depth.”

In 2023, 85 % of the contestants were performed in small keys, according to the Press Society. In the past twenty years, only two main songs won – 2011 Running is afraid (for Azerbaijan) And 2017 love for both.

Professor Elizabeth Helmouth Margolis, a researcher in the realization of music in Princeton, highlights the sensitivity of the source – our instinct to link the song’s voice with its intended context. For example, for example, we have a mental image of a dark nightclub, the DJ type that may lead there.

This means that some small keys now immediately indicate the “Eurovision-NSS” of the masses.

Remember that what the home, which has just been written in a song for writing songs, with many songs book working together in a retreat in the countryside to write the ideal song for the UK’s work for this year.

The song was deliberately written in a main key to stand out in a sea of ​​small songs-like the introduction of the second place 2022 in the United Kingdom, An astronaut from Sam Ryder (B pioneer).

Margulis says that repetition is important to make the song stick in the mind. But you should avoid very frequent songs. Margulis says that what makes the song especially attractive is “not only when they are heard over and over again, but also when they throw a kind of surprise.”

The 1981 Bachez Fez winner in the United Kingdom, Make your mindIt is a classic example. First, the key to changing the song, follows it quickly Unforgettable fashion change Where the singers were brought up to detect the shorter skirts – a common visual and musical touch.

Earlier, the UUROVision winners earlier were mocking the words of nonsense, such as the winner of Sweden for the year 1984 theBut Bennett argues this highlights the strong Eurovision concentration on the melody.

“Eurofagen really needs large melodic hooks. You want people to sing all over Europe this melody. The need for a very accessible choir is accessible.”

The main changes have always been a way to introduce the grandmother into the euvision songs. The 2000s witnessed two multiple winners followed this formula, including Olsen Brothers’ Fly on the wings of love Norway (2000), and Serbia prayer In 2007.

But Bennett notes, although they are still present in about five final contestants, no song has been won with a major change in a choir nearly 20 years ago.

STENGAARD’s song for the UK Law for this year, on Monday, it is definitely full of surprises. The BBC music correspondent Mark Savage said that the song appeared “an amazing collection of major changes and rhythm shifts.

The song is the answer of the songwriter on the question that he asks whenever he wrote about Eurovision: “How can you stand out in a competition that everyone wants to stand out?”