How did Apple create an iPhone camera for “F1”

You cannot install a cinema camera on the Formula One race. These smart compounds are designed for accurate specifications, and the race footage is captured from the driver’s point of view Gabro Ali It is called a day. This is the challenge that Apple faced after Joseph Kossinski and Claudio Miranda, director and cinematic photographer in the next F1 Apple Original wanted to use real pov shots in the movie.

If you have seen the Formula One race recently, you may have seen clips showing an angle behind the cockpit, with the top or the side of the driver’s helmet in the frame. It was captured by the cameras on the plane included in the car, the resulting shots are designed to broadcast, using specific color spaces and coding programs. Converting it to match the appearance of the rest F1 The film will be very difficult so that it cannot be possible. Instead, the Apple Engineering team replaced the broadcast unit with an iPhone camera.

Custom camera

Photo: Julian Chocato

Photo: Julian Chocato

The stereotype is not like iPhone. In view, the camera unit is similar to the broadcast, and Apple was forced to match the weight so that its version does not change the car specifications. Inside, however, it is completely different. (Gave us Apple A light look during WWDC last week Besides the F1.)

In the heart there is an iPhone camera backed by the A-Series chip. Apple did not specify the sensor or the micro -slides collection, but it was used for some cars in the real F1 races during the seasons of 2023 and 2024, so there was an opportunity that was the same as the A17 Pro and 48 -megapixel camera in iPhone 15 Pro. It also contained the iPhone and a neutral density filter over the camera to reduce the light that enters the lens, giving the film editors more control of exposure.

Nobody expects the iPhone to perform an irreplaceable way at incredible speeds or harsh conditions, so the engineering team had to look at this factor. They have tested the camera unit to ensure that it may bear the severe shock, vibrations and heat – it is supposed to exceed the specifications provided by Formula One.

Julian Chocato

The iOS stereotype ran but has a fixed camera for the camera. Videos were captured in the registry format with an unlimited video coding program, which provides footage that appears flat but gives editors more detailed control of the degree of colors and matching pictures with the rest of the movie. These allocated fixed programs inevitably led to two new features in iPhone 15 ProRecord coding and support the workflow of an Oscar coding system.

Due to the lack of radio devices in the stereotype, the dedicated iPad app is the only way that film makers could make changes on the camera. Once calling via USB-C, they can adjust things such as tire rate, exposure acquisition, shutter angle, and white balance. This is where they achieved the record to start registration or stop registration. The footage taken with the stereotype Spray all over F1 movie.